Andraé Crouch

Andraé Crouch (1942–2015) was an American gospel singer, songwriter, arranger, and choir director whose music helped shape contemporary gospel and Christian music.

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Sandra Crouch: American gospel singer, songwriter, and drummer who performed and recorded with her twin brother Andraé. She was his lifelong musical collaborator and co-founder of the Disciples.
The Blood Will Never Lose Its Power: A gospel song written by Andraé Crouch and first recorded by the Disciples. It became one of Crouch’s best-known compositions and a durable church standard.
Gospel music: A tradition of Christian music rooted in African American churches and spirituals. Crouch reworked gospel conventions while remaining grounded in this tradition.
Jesus music: A Christian music movement that emerged in the late 1960s and early 1970s, blending popular styles with evangelical lyrics. Crouch’s recordings influenced musicians who brought contemporary sounds into Christian music.
The Disciples: Gospel group founded by Andraé and Sandra Crouch, known for energetic choir singing and contemporary arrangements. The group gave Crouch a platform for his compositions and distinctive ensemble sound.
Soon and Very Soon: A gospel song written by Andraé Crouch, centered on the hope of meeting Christ. Its refrain exemplifies his direct, memorable songwriting.
Contemporary Christian music: Popular music written and performed to express Christian faith, especially in the modern recording era. Crouch’s sound and songs helped shape this musical field.
Grammy Award for Best Soul Gospel Performance: A Grammy category recognizing recordings in the soul gospel tradition, awarded from 1969 to 1971. Crouch won in this category, bringing major industry recognition to his gospel work.
Tramaine Hawkins: American gospel singer who rose to prominence as a soloist with the Edwin Hawkins Singers. Her performances helped carry Crouch’s songs into gospel and popular audiences.
My Tribute: A gospel song by Andraé Crouch, also known by its opening phrase, “To God Be the Glory.” Its praise-centered lyrics became a signature expression of his songwriting.