Linked from

The 273 pages that link to Cultural appropriation, each with the reason it gives.

• Joaquín CortésCompared with: Debates about staging and marketing flamenco raise questions about who represents a cultural tradition.

• Karl MayNarrower topic: Debates about May’s depictions of Indigenous peoples often use this framework to assess cultural representation.

• Kente clothRelated: Kente’s ceremonial meanings inform debates about its use as fashion or decoration.

• KokopelliRelated: Commercial Kokopelli imagery raises questions about who represents the figure and whose meanings are retained.

• KumbayaRelated: The song’s popular circulation raises questions about crediting its Gullah and African-American origins.

• Madhubani artCompared with: Commercial use of Madhubani designs raises questions about attribution, control, and benefit for source communities.

• Maria MartinezCompared with: Her public fame invites questions about how Pueblo designs are represented and commercialized.

• Master JubaRelated: Juba’s career raises questions about Black dance forms circulating through white-controlled entertainment.

• MayanismRelated: Mayanism can prompt debate over who interprets Maya heritage and how its symbols are used.

• Mineko IwasakiRelated: The dispute prompted debate about outsiders narrating a culturally specific profession.

• Music of HawaiiRelated: Tourism and entertainment have raised disputes over who represents Hawaiian music and on what terms.

• Mythologies of the Indigenous peoples of the AmericasRelated: Decontextualized retellings can treat sacred narratives as public entertainment or generic folklore.

• Native American religionsRelated: Commercial or outsider use of ceremonies can disregard community authority and sacred limits.

• NeotantraRelated: Critics question whether neotantra detaches South Asian practices from their histories and communities.

• Polytheistic reconstructionismRelated: Debates about access, authority, and cultural respect shape reconstructionist engagement with living communities and inherited traditions.

• Rama DuwajiCompared with: Her work raises questions about authorship and cultural authority in representing Arab subjects.

• Russell PetersCompared with: Debates about who may perform cultural caricatures provide a critical counterpoint to Peters’s use of them.

• Skin-walkerRelated: Popular retellings can detach skin-walker stories from Diné context and treat them as entertainment.

• Swing Low, Sweet ChariotRelated: Its rugby use has prompted debate about how a spiritual’s history is acknowledged.

• TotemRelated: Commercial use of Indigenous totemic imagery can detach designs from their communities and meanings.

• Vasyl AvramenkoCompared with: The concept helps frame debates over who may adapt folk material and how staged versions represent its source communities.

• Visual arts of the Indigenous peoples of the AmericasCompared with: It clarifies disputes over who may use Indigenous designs and sacred imagery.

• Yoshiko YamaguchiCompared with: Her Chinese persona raises questions about performance, representation, and Japan’s colonial power in Manchuria.