Knowra Film restoration Film restoration Film restoration is the conservation and repair of motion-picture materials to preserve and present moving images. It combines physical treatment of film elements with decisions about reconstructing or reproducing their images and sound.
Film inspection : Film inspection is the examination of film elements for damage, condition, format, and identifying information. Inspection establishes which elements are usable and what repairs or transfers are needed.
Film stock : Film stock is the flexible photographic material used to record and reproduce moving images. Restoration decisions depend on the stock's base, emulsion, age, and condition.
Film archiving : Film archiving is the organized collection, documentation, preservation, and access of motion-picture materials. Archives developed the collections and practices on which restoration work depends.
Film preservation : Film preservation is the long-term care of motion-picture works and their physical and digital elements. Unlike restoration's interventions, preservation also includes maintaining elements without changing their appearance.
Metropolis (1927 film) : Metropolis is Fritz Lang's 1927 German science-fiction film about a divided futuristic city. A 2008 restoration used footage found in Buenos Aires to recover scenes missing from earlier versions.
Film cleaning : Film cleaning removes dirt and residues from motion-picture film using methods suited to its materials. Cleaning can remove distracting surface contamination before copying or scanning.
Nitrate film : Nitrate film is motion-picture film made with a cellulose nitrate base, used widely before safer acetate stocks. Its flammability and chemical decay demand specialized storage and handling.
Henri Langlois : Henri Langlois was a French film archivist who co-founded the Cinémathèque Française. His collecting and programming helped establish film preservation as a public cultural undertaking.
Film colorization : Film colorization adds color to motion pictures originally made or preserved in black and white. Colorization introduces new visual information rather than recovering information from original color elements.
Napoléon (1927 film) : Napoléon is Abel Gance's 1927 French historical epic, known for its experimental widescreen finale. Its restoration illustrates the extensive research and reconstruction needed for a film surviving in variant forms.
Show all 26