Linked from

The 125 pages that link to Long take, each with the reason it gives.

• Aki KaurismäkiRelated: His relatively static shots let pauses and awkward silences shape scenes.

• Alexander SokurovRelated: Russian Ark turns an entire feature into one continuous camera take.

• Arturo RipsteinRelated: Extended shots help sustain the tense, enclosed atmosphere found in many Ripstein films.

• Dardenne brothersRelated: Sustained scenes let action and hesitation unfold without editorial interruption.

• Fei MuRelated: Fei Mu’s sustained shots let hesitation and shifting attention carry dramatic weight.

• Gaspar NoéRelated: Noé uses extended shots to sustain tension and keep action spatially immediate.

• Hirokazu Kore-edaRelated: Extended shots let meals, conversations, and silences unfold without emphasis imposed by cutting.

• Jean EustacheRelated: Extended scenes let conversations unfold without cutting away from their duration.

• Jeanne DielmanRelated: Extended shots let domestic actions unfold without conventional compression.

• Lewis MilestoneRelated: Extended shots help explain the sustained movement and spatial continuity in his war scenes.

• Manoel de OliveiraRelated: Oliveira often lets performances and dialogue unfold without cutting away.

• Ryusuke HamaguchiRelated: Extended shots give Hamaguchi's dialogue scenes time to develop without cutting away from reactions.

• Straub–HuilletRelated: Extended shots preserve the duration and spatial relations of their performances.

• Terence DaviesRelated: Extended shots let performances and domestic spaces unfold with deliberate theatricality.

• Tony JaaRelated: Extended takes in his films make the stamina and continuity of fight performances visible.

• Trần Anh HùngRelated: Sustained shots support the patient observation found in several of his films.