Manitas de Plata

Manitas de Plata was the stage name of Ricardo Baliardo (1921–2014), a French Romani flamenco guitarist whose virtuosic playing and recordings brought him international fame.

Ricardo Baliardo: Ricardo Baliardo was a French Romani guitarist who performed internationally as Manitas de Plata. This is the musician behind the stage name and the central figure of his career.
Flamenco guitar: Flamenco guitar is a Spanish guitar tradition shaped by rhythmic, melodic, and percussive techniques. It is the instrumental tradition in which Baliardo developed his playing.
Live at Carnegie Hall: Live at Carnegie Hall is a 1965 recording of Manitas de Plata's concert at Carnegie Hall in New York. The album documents the performance that marked a major breakthrough in his international career.
Sète: Sète is a Mediterranean port city in southern France, near the Rhône delta. Baliardo was born near Sète and remained associated with the region's musical scene.
Flamenco: Flamenco is an Andalusian art tradition combining song, dance, and instrumental music. Baliardo's worldwide success brought a particular guitar-centered performance style to international audiences.
José Reyes: José Reyes was a French Romani flamenco singer and guitarist who performed with Manitas de Plata. Their musical partnership helped bring Baliardo's performances to wider audiences.
Rasgueado: Rasgueado is a flamenco guitar technique that produces rapid, rhythmic strums with the fingers. Its forceful strumming helps explain the driving sound of Baliardo's performances.
Carnegie Hall: Carnegie Hall is a concert venue in New York City that opened in 1891. Baliardo's 1965 appearance there became a defining event in his rise to international fame.
Camargue: The Camargue is a wetland region in southern France between the Mediterranean Sea and the Rhône River. The region's Romani communities and festivals formed part of the setting for Baliardo's early performances.
Exotica: Exotica is a mid-twentieth-century popular-music genre that evoked imagined cultures through stylized arrangements. Baliardo's reception sometimes framed Romani performance through outsiders' exoticizing expectations.

Linked from 1 page