Linked from

The 104 pages that link to Sampling (music), each with the reason it gives.

• Boogie Down ProductionsRelated: The group’s early tracks drew on breaks and records to create forceful, economical beats.

• Erykah BaduRelated: Sampling links her recordings to hip-hop production and a wider musical archive.

• Sean CombsRelated: Bad Boy's polished, sample-based hits helped define Combs's production approach.

• Curtis MayfieldRelated: Hip-hop producers have repeatedly sampled Mayfield’s recordings, extending their reach.

• IllmaticRelated: The album’s producers build many of its beats from fragments of earlier recordings.

• Salt-N-PepaRelated: Samples from funk and soul records supplied recognizable hooks for several hits.

• The ProdigyRelated: Liam Howlett’s sample-based production helped fuse disparate musical references.

• Trevor HornRelated: Horn and Art of Noise made sampled sounds central to their studio-made compositions.

• A Tribe Called QuestRelated: The group built many tracks from carefully chosen jazz and funk recordings.

• AviciiRelated: “Levels” turns a vocal recording into a defining element of a dance track.

• Frank OceanRelated: His early work recontextualized familiar recordings, making sampling part of his musical identity.

• Fuck tha PoliceRelated: The production draws on samples to build its sparse, hard-edged backing.

• Gil Scott-HeronRelated: Hip-hop producers have sampled Scott-Heron’s recordings, carrying his voice and phrases into new works.

• Histoire de Melody NelsonRelated: The album’s distinctive orchestral passages have supplied material for later reworkings and references.

• MadchesterRelated: Happy Mondays’ recordings used samples to connect band performances with dance production.

• MC HammerRelated: “U Can't Touch This” builds its central hook from a sample of Rick James’s “Super Freak.”

• Nine Inch NailsRelated: Reznor uses processed samples to make found sounds part of the project's arrangements.

• OK ComputerRelated: The opening track’s drum break demonstrates how sampled material can reshape rock rhythms.

• Selected Ambient Works 85–92Related: Found and processed sounds contribute to the album’s grainy, intimate textures.

• Slick RickRelated: “La Di Da Di” became a heavily sampled source for later hip-hop and popular music.

• SuperstitionRelated: The song’s instantly recognizable riff has made it a recurring source for musical quotation and sampling.

• The Marshall Mathers LPRelated: The album repurposes recognizable sounds to build comic and musical contrasts.

• Criticism of copyrightRelated: Sampling disputes test whether copyright enables or impedes musical borrowing and transformation.

• Depeche ModeRelated: The band turned industrial and everyday sounds into rhythmic and textural elements.

• Diss trackRelated: A sampled rival’s voice or music can turn the track’s production into part of its argument.

• Ed SheeranRelated: Sheeran has used recorded fragments and vocal textures in studio arrangements and live sets.

• Eric B. & RakimRelated: Eric B.’s production built tracks from fragments of funk and soul recordings.

• Hikaru UtadaRelated: Utada’s productions draw on studio techniques that connect pop songwriting to electronic music.

• Manu ChaoRelated: Samples help create the layered, radio-like textures heard across his albums.

• Manu DibangoRelated: Dibango’s refrain was reused in later pop recordings, raising questions about credit and permission.