Linked from
The 104 pages that link to Sampling (music), each with the reason it gives.
Missy ElliottRelated: Unexpected vocal and instrumental fragments help give her tracks their distinctive sonic collage.
New York hip-hopRelated: Sampling let New York producers build tracks from funk, soul, jazz, and earlier recordings.
Rap musicRelated: Sampled records became a defining source of sounds and loops in hip-hop production.
Rolling Stone's 500 Greatest Albums of All TimeRelated: Albums elevated by the list often become reference points for later musicians and samplers.
Studio as an instrumentRelated: A studio can recast existing recordings as playable compositional elements.
Beastie BoysNarrower topic: The group built early tracks by combining fragments from many existing recordings.
Classical music in popular cultureCompared with: Sampling transforms recorded passages directly, unlike many performances of classical excerpts.
Jungle musicRelated: Jungle producers built tracks from sampled drums, vocals, and fragments of reggae and funk.
Old-school hip-hopRelated: Record-based production extended the break-centered approach as hip-hop moved into studios.
Pharrell WilliamsRelated: The Neptunes’ productions often draw on and transform sounds from earlier recordings.
The Black Eyed PeasRelated: The group’s productions draw on a pop tradition of combining recognizable sounds and new arrangements.
King TubbyRelated: Dub’s recombination of recorded fragments foreshadowed sampling as a compositional method.
Lee “Scratch” PerryRelated: Perry’s treatment of recordings as transformable material anticipates later sample-based production.
Postmodern musicRelated: Sampling extends postmodern reuse into production, where recordings themselves become compositional material.
Rapper's DelightCompared with: Unlike later sample-based rap, the track recreated the source groove rather than sampling Chic's recording.
Boogie Down ProductionsRelated: The group’s early tracks drew on breaks and records to create forceful, economical beats.
Erykah BaduRelated: Sampling links her recordings to hip-hop production and a wider musical archive.
It Takes a Nation of Millions to Hold Us BackNarrower topic: The album builds its densely layered tracks from fragments of existing recordings.
Sean CombsRelated: Bad Boy's polished, sample-based hits helped define Combs's production approach.
Sylvia RobinsonCompared with: “Rapper’s Delight” recreated a funk groove with musicians rather than sampling the original recording.
Curtis MayfieldRelated: Hip-hop producers have repeatedly sampled Mayfield’s recordings, extending their reach.
IllmaticRelated: The album’s producers build many of its beats from fragments of earlier recordings.
Salt-N-PepaRelated: Samples from funk and soul records supplied recognizable hooks for several hits.
Songs in the Key of LifeNarrower topic: Tracks from the album have been sampled by later artists, carrying its grooves into hip-hop and other genres.
The ProdigyRelated: Liam Howlett’s sample-based production helped fuse disparate musical references.
Trevor HornRelated: Horn and Art of Noise made sampled sounds central to their studio-made compositions.
A Tribe Called QuestRelated: The group built many tracks from carefully chosen jazz and funk recordings.
AviciiRelated: “Levels” turns a vocal recording into a defining element of a dance track.
De La SoulNarrower topic: De La Soul built many early tracks from fragments of diverse recordings.
Frank OceanRelated: His early work recontextualized familiar recordings, making sampling part of his musical identity.
Fuck tha PoliceRelated: The production draws on samples to build its sparse, hard-edged backing.
Gil Scott-HeronRelated: Hip-hop producers have sampled Scott-Heron’s recordings, carrying his voice and phrases into new works.
Histoire de Melody NelsonRelated: The album’s distinctive orchestral passages have supplied material for later reworkings and references.
MadchesterRelated: Happy Mondays’ recordings used samples to connect band performances with dance production.
MC HammerRelated: “U Can't Touch This” builds its central hook from a sample of Rick James’s “Super Freak.”
My Beautiful Dark Twisted FantasyNarrower topic: The album’s dense arrangements transform recordings by artists including King Crimson and Bon Iver.
Nine Inch NailsRelated: Reznor uses processed samples to make found sounds part of the project's arrangements.
OK ComputerRelated: The opening track’s drum break demonstrates how sampled material can reshape rock rhythms.
Paul's BoutiqueNarrower topic: The album builds its tracks from fragments of earlier recordings.
Rick JamesNarrower topic: The sample of “Super Freak” made James’s work central to a major pop hit.
Selected Ambient Works 85–92Related: Found and processed sounds contribute to the album’s grainy, intimate textures.
Slick RickRelated: “La Di Da Di” became a heavily sampled source for later hip-hop and popular music.
SuperstitionRelated: The song’s instantly recognizable riff has made it a recurring source for musical quotation and sampling.
The Marshall Mathers LPRelated: The album repurposes recognizable sounds to build comic and musical contrasts.
Criticism of copyrightRelated: Sampling disputes test whether copyright enables or impedes musical borrowing and transformation.
Depeche ModeRelated: The band turned industrial and everyday sounds into rhythmic and textural elements.
Diss trackRelated: A sampled rival’s voice or music can turn the track’s production into part of its argument.
Ed SheeranRelated: Sheeran has used recorded fragments and vocal textures in studio arrangements and live sets.
Enter the Wu-Tang (36 Chambers)Narrower topic: RZA builds the album’s stark beats from chopped soul, funk, and other recordings.
Eric B. & RakimRelated: Eric B.’s production built tracks from fragments of funk and soul recordings.