Linked from

The 64 pages that link to Sound design, each with the reason it gives.

• Djibril Diop MambétyRelated: In Touki Bouki, music, ambient noise, and recurring sounds build meaning beyond dialogue.

• Henri-Georges ClouzotRelated: Carefully used sound makes off-screen threats and waiting feel immediate in his thrillers.

• James WanRelated: Sparse noises and sudden volume changes help make unseen threats feel present.

• Lucrecia MartelRelated: Offscreen voices and ambient noise often disclose more than Martel's images show.

• Claire DenisRelated: Music, ambient noise, and silence carry dramatic weight in Denis’s films.

• Gaspar NoéRelated: Low-frequency sound and abrasive audio contribute to the bodily intensity of several films.

• Giles CooperRelated: Cooper used sound as dramatic evidence, not merely as background.

• Horror gameRelated: Footsteps, silence, and indistinct noises can signal threats before they appear.

• Kantara: Chapter 1Related: Ritual sounds and effects build atmosphere and heighten dramatic encounters.

• Mercedes McCambridgeRelated: The Exorcist’s demonic voice combined McCambridge’s performance with deliberate sound manipulation.

• Music of Star WarsRelated: The scores share the soundtrack with distinctive effects such as lightsabers and spacecraft.

• Project Hail MaryRelated: Sound helps distinguish the spacecraft environment and communicate encounters beyond dialogue.

• SkrillexRelated: His signature bass timbres rely on extensively designed and processed sounds.

• Trần Anh HùngRelated: Ambient sounds often carry the sensory texture of Hùng’s scenes.