The Longest Day

The Longest Day is a 1962 war film depicting the Allied invasion of Normandy on June 6, 1944, through German, French, British, and American perspectives.

Operation Overlord: The Allied campaign to invade and liberate German-occupied Western Europe during World War II. The film depicts D-Day, the opening assault of this larger campaign.
Darryl F. Zanuck: American film producer and studio executive who co-founded 20th Century Fox. He produced The Longest Day and drove its large-scale production.
CinemaScope: A widescreen motion-picture format that uses anamorphic lenses to capture a broad image. The film uses widescreen composition to stage large formations and expansive battlefields.
Saving Private Ryan: A 1998 war film following a group of American soldiers searching for a paratrooper after D-Day. Its intimate fictional mission contrasts with The Longest Day’s broad historical panorama.
Normandy landings: The Allied amphibious and airborne landings in Normandy on June 6, 1944. These landings are the film’s central historical event.
Ken Annakin: English film director known for adventure and war films. He directed the British and French segments of the film.
Black-and-white cinematography: Motion-picture photography that records images without color. The film’s monochrome images give its battle spectacle a documentary-like visual texture.
Band of Brothers: A 2001 television miniseries following a United States Army airborne company through World War II. Its sustained focus on one company differs from the film’s shifting national viewpoints.
D-Day: June 6, 1944, the date of the Allied invasion of Normandy during World War II. The film’s title and events center on this day.
Andrew Marton: Hungarian-American film director and second-unit specialist. He directed several battle sequences for the film.

Linked from 6 pages