Linked from

The 33 pages that link to Andy Warhol, each with the reason it gives.

• Pop artRelated: His repeated images of products and public figures became Pop art's most widely recognized emblems.

• Appropriation (art)Related: His use of advertisements and consumer products made popular imagery central to painting.

• Marilyn MonroeRelated: Warhol’s repeated portraits turned Monroe’s publicity photograph into an emblem of reproducible celebrity.

• ReadymadeRelated: His Brillo Boxes revisited the boundary between ordinary products and exhibited art.

• PrintmakingRelated: His serial portraits and consumer images made mechanical repetition part of the artwork's subject.

• RepetitionRelated: Warhol’s repeated images expose how reproduction can alter an image’s force and meaning.

• Screen printingRelated: His repeated, vividly colored portraits became canonical screen-printed works.

• Marsha P. JohnsonRelated: Warhol photographed Johnson for his series of portraits of drag performers.

• The FactoryNarrower topic: He founded the studio and shaped its art, films, and public identity.

• The Velvet UndergroundRelated: He managed the band and brought it into his multimedia art project, the Exploding Plastic Inevitable.

• Jean-Michel BasquiatRelated: Warhol became Basquiat’s collaborator and close friend, producing paintings together in the 1980s.

• Joseph BeuysCompared with: Warhol embraced mass-media surfaces, while Beuys foregrounded ritual, education, and social change.

• Postmodern artRelated: Warhol blurred the distinction between fine art and commercial imagery through repetition and appropriation.

• Keith HaringRelated: Warhol and Haring shared an interest in popular imagery and collaborated during the 1980s.

• Campbell's Soup CansRelated: He conceived and made the 32-canvas work in 1962.

• Jonas MekasRelated: Mekas documented Warhol’s artistic circle and supported his films through New York’s avant-garde network.

• Roy LichtensteinCompared with: Warhol and Lichtenstein made distinct approaches to mass-media imagery central to Pop art.

• Art rockRelated: His collaboration with the Velvet Underground connected rock performance to contemporary visual art.

• Lou ReedRelated: Warhol managed the Velvet Underground and connected the band to New York’s art scene.

• Marilyn DiptychNarrower topic: Warhol made the painting as part of his early-1960s exploration of celebrity and mechanical reproduction.

• The Velvet Underground & NicoRelated: Warhol produced the album and designed its famous banana cover.

• Claes OldenburgCompared with: Warhol repeated flat commercial images, while Oldenburg often remade objects as physical sculpture.

• Edie SedgwickRelated: Their collaboration made Sedgwick a central presence in Warhol’s films and public persona.

• Takashi MurakamiCompared with: Warhol is a frequent comparison, though Murakami grounds his imagery in different cultural histories.

• Whaam!Related: Like Warhol's work, Whaam! tests how mass-produced imagery changes when recast as fine art.

• Zakarpattia OblastRelated: His family background connects a globally known artist to the wider Carpathian Rusyn diaspora.

• Michael SnowCompared with: Warhol and Snow both stretch screen time but organize the viewer’s attention in sharply different ways.

• Robert MapplethorpeRelated: Warhol’s art-world presence connected Mapplethorpe to influential New York networks.

• Arthur DantoRelated: Warhol’s Brillo Boxes prompted Danto to ask what distinguishes art from ordinary things.

• Henry GeldzahlerRelated: Geldzahler championed Warhol and included him in the Met’s landmark 1969 exhibition.

• Marisol EscobarCompared with: Both addressed public personalities, but her hand-built figures differ from his serial images.

• Quentin CrispRelated: Warhol’s circle included Crisp during his years in New York.

• Valerie SolanasRelated: Solanas shot Warhol at his studio in 1968; he survived and later gave testimony about the attack.