Linked from

The 11 pages that link to Antonín Dvořák, each with the reason it gives.

• PragueRelated: His musical career grew within Prague’s nineteenth-century cultural institutions.

• Anton BrucknerCompared with: Dvořák’s national idiom offers a contrasting path through the nineteenth-century symphony.

• Bedřich SmetanaRelated: Dvořák followed Smetana in establishing Czech music internationally, with a different musical voice.

• Prague ConservatoryRelated: Dvořák taught composition at the conservatory in the 1890s.

• SerenadeRelated: His serenade for strings renewed the genre’s appeal in the nineteenth century.

• Musical nationalismRelated: His music shows how national idioms could enter internationally popular concert forms.

• Slavonic DancesRelated: He composed both sets and made their orchestral arrangements.

• Bohuslav MartinůRelated: Dvořák’s national style forms an earlier reference point for Martinů’s Czech musical identity.

• George SzellRelated: Szell’s recordings of Dvořák, including the symphonies, became central parts of his recorded legacy.

• Hilary HahnRelated: Hahn’s recordings include Dvořák’s Violin Concerto, placing her work in the Romantic concerto tradition.

• Amy BeachRelated: His call for American composers to draw on national musical traditions framed debates surrounding Beach’s symphony.