KnowraBallet blancLinked fromLinked fromThe 25 pages that link to Ballet blanc, each with the reason it gives.All 25Broader topic 3Related 14Narrower topic 2Compared with 6Marius PetipaRelated: The white-clad ensemble in La Bayadère’s Kingdom of the Shades exemplifies this stage convention.GiselleRelated: The white-clad Wilis made Act II a model of the Romantic ballet blanc.Paris OpéraRelated: The Paris Opera Ballet helped preserve and transmit this repertory through its classical productions.Marie TaglioniRelated: The white, weightless image associated with La Sylphide became a lasting Romantic ballet convention.La SylphideRelated: The sylphs' white costumes helped define the ballet's otherworldly visual world.Frederick AshtonRelated: Ashton used the tradition in works such as Symphonic Variations and The Dream.La BayadèreRelated: The Shades sequence uses white-costumed dancers to create its otherworldly effect.Italian balletRelated: Italian dancers and theaters participated in the European staging traditions that popularized it.Jean-Georges NoverreRelated: Its later emphasis on atmosphere contrasts with Noverre’s demand for intelligible dramatic action.Carlotta GrisiRelated: Giselle's second act made the white-clad Wilis central to ballet imagery.Filippo TaglioniRelated: The sylphs’ white costumes helped establish a lasting Romantic ballet convention.Léo DelibesRelated: Sylvia’s pastoral and mythological scenes draw on the ballet’s established ensemble-dance conventions.Olga SpessivtsevaRelated: Her celebrated Giselle embodied the expressive tradition of the white-act heroine.Vera ZorinaRelated: Zorina’s classical training supplied the movement vocabulary behind her stage and screen appearances.