KnowraDiegetic soundLinked fromLinked fromThe 13 pages that link to Diegetic sound, each with the reason it gives.All 13Related 11Compared with 2Sound designRelated: Decisions about whether a sound belongs inside the story world shape its placement and treatment.Radio dramaRelated: It distinguishes sounds within a scene from music or narration outside the story world.Dogme 95Related: Dogme 95 prohibited added sound or music that did not occur during filming.Jean-Pierre MelvilleRelated: Ambient city and mechanical sounds often replace explanatory dialogue in his films.Robert BressonRelated: Footsteps, doors, and other ordinary sounds often build tension in place of expressive music.A City of SadnessRelated: Radio broadcasts and environmental sounds carry public events into private spaces.Tsai Ming-liangRelated: Drips, traffic, and music often carry atmosphere where Tsai’s films use little dialogue.Au hasard BalthazarRelated: Everyday sounds help carry scenes whose dialogue and music are sparse.Céline SciammaRelated: In Portrait of a Lady on Fire, music heard by the characters turns listening into shared action.Lav DiazRelated: Ambient and environmental sounds often carry scenes without explanatory music.John McTiernanRelated: Radios, alarms, and machinery often carry information and shape suspense in McTiernan’s films.