Linked from

The 102 pages that link to Film score, each with the reason it gives.

• LeitmotifNarrower topic: Film scoring adapted recurring character and idea themes for cinematic storytelling.

• Academy Award for Best Original ScoreNarrower topic: The award recognizes a particular achievement within the broader practice of film scoring.

• John WilliamsNarrower topic: Williams’s work belongs to the orchestral film-score tradition and helped define its modern sound.

• A. R. RahmanNarrower topic: Rahman’s scoring connects musical structure to narrative and screen imagery.

• Ennio MorriconeNarrower topic: His career expanded the expressive possibilities of film scoring through distinctive sounds and themes.

• Philip GlassNarrower topic: Glass’s screen work uses recurring themes and pulse to intensify images and narrative structure.

• Mickey MousingNarrower topic: Mickey Mousing is one prominent way a film score can coordinate with images.

• Hans ZimmerNarrower topic: Zimmer's work is a prominent example of music written to function within film narratives.

• Hindi film songNarrower topic: A film song is one vocal, often self-contained form within a film’s wider musical design.

• Musical quotationNarrower topic: Film scores quote existing music to establish setting, character, or cultural associations.

• Nino RotaNarrower topic: Rota’s film scores are the best-known part of a career that also included concert music.

• Bernard HerrmannNarrower topic: Herrmann’s work expanded the dramatic possibilities of the film score through distinctive motifs and instrumental color.

• Max SteinerNarrower topic: Steiner helped make the orchestral film score a central expressive element of Hollywood cinema.

• IlaiyaraajaNarrower topic: Film scoring is the broader practice within which his best-known work developed.

• There Will Be BloodNarrower topic: Greenwood’s score uses dissonance and unusual textures to resist straightforward dramatic cues.

• Thriller filmNarrower topic: Rhythm, harmony, and silence can intensify anticipation before danger appears.

• André PrevinNarrower topic: Previn built his early career composing and arranging music for Hollywood films.

• Incidental musicNarrower topic: Film scoring adapts dramatic accompaniment to edited images and recorded sound.

• Joe HisaishiNarrower topic: Hisaishi’s work is best known as a major body of film scoring.

• Henry ManciniNarrower topic: Mancini’s scoring balanced recognizable themes with music tailored to each scene.

• Adagio in G minorNarrower topic: Its solemn, expansive character has made the piece a recurring choice for screen drama.

• Alan MenkenNarrower topic: Menken’s orchestral scores carry emotion and story between his films’ songs.

• Brokeback MountainNarrower topic: Gustavo Santaolalla’s sparse score supports the film’s quiet, elegiac tone.

• Danny ElfmanNarrower topic: Elfman’s career centers on writing music that supports a film’s pacing, atmosphere, and story.

• James HornerNarrower topic: Horner’s career centers on composing music that works in close relation to films.

• Jerry GoldsmithNarrower topic: Goldsmith expanded the expressive range of the film score through bold orchestration and sound design.

• Marvin HamlischNarrower topic: Hamlisch's scores supported films ranging from romantic dramas to caper comedies.

• Alfred SchnittkeNarrower topic: Schnittke wrote scores for dozens of films, often using a more direct version of his stylistic contrasts.

• Goran BregovićNarrower topic: His film work belongs to a broad practice beyond its distinctive Balkan musical language.

• Shankar–Ehsaan–LoyNarrower topic: The trio’s background scores sit alongside its songs within this broader film-music form.

• SinnersNarrower topic: The score supports the shifts between blues performance, historical drama, and supernatural horror.

• The ClassicNarrower topic: The film’s recurring music helps connect its romances and intensify their emotional parallels.

• Georges DelerueNarrower topic: Delerue’s career centers on composing music shaped by a film’s scenes and dramatic structure.

• Jatin–LalitNarrower topic: Their work combines standalone songs with music serving the films’ emotional scenes.

• Ludovico EinaudiNarrower topic: Einaudi’s work often reaches audiences through its use in cinema.

• Music in advertisingNarrower topic: Advertising borrows film-scoring techniques to guide emotion and reinforce visual storytelling.

• Music of Star WarsNarrower topic: The Star Wars music is designed to work with image, dialogue, and narrative.

• Music of the James Bond seriesNarrower topic: The Bond scores place recurring themes within scenes, action, and character moments.

• Music of The Lord of the Rings film seriesNarrower topic: The trilogy’s music is a widely recognized example of an original orchestral film score.

• Raichand BoralNarrower topic: His work joined songs and instrumental music into a film's dramatic sound.