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The 23 pages that link to François Truffaut, each with the reason it gives.

• French New WaveBroader topic: His debut feature became a landmark of the movement’s personal, director-led cinema.

• Auteur theoryRelated: His 1954 polemic attacked French cinema that subordinated directors to literary adaptation.

• Jean-Luc GodardRelated: Truffaut’s collaboration helped launch Godard’s first feature film.

• André BazinRelated: Truffaut wrote for the journal Bazin co-founded and dedicated The 400 Blows to him.

• Cahiers du cinémaRelated: His polemical 1954 essay in the magazine challenged France’s established film culture.

• The 400 BlowsRelated: He directed and co-wrote The 400 Blows, drawing on experiences from his youth.

• Catherine DeneuveRelated: Truffaut directed Deneuve in The Last Metro, one of her celebrated dramatic roles.

• BreathlessRelated: Truffaut’s story idea helped prompt the project that Godard turned into Breathless.

• Claude ChabrolRelated: Like Chabrol, Truffaut moved from Cahiers du cinéma criticism into feature filmmaking.

• Film reviewBroader topic: His critical writing helped connect reviewing with arguments for personal filmmaking.

• Ray BradburyRelated: Truffaut directed the 1966 film adaptation of Fahrenheit 451.

• Éric RohmerRelated: Truffaut and Rohmer emerged from the same film-critical circle but developed distinct cinematic voices.

• Isabelle AdjaniRelated: He directed Adjani in The Story of Adèle H., her breakthrough film role.

• Jacques RivetteRelated: Truffaut shared Rivette’s passage from Cahiers criticism into directing.

• Jeanne MoreauRelated: Truffaut cast Moreau in Jules and Jim and The Bride Wore Black.

• Andrew SarrisRelated: His 1954 essay on French cinema supplied a major model for Sarris’s auteurist argument.

• Emmanuelle RivaRelated: Truffaut’s film Jules and Jim featured Riva in a supporting role.

• Gérard DepardieuRelated: Truffaut cast Depardieu in The Last Metro, a defining early-career collaboration.

• Anna KarinaRelated: His films provide a contrasting director’s vision within the movement associated with Karina.

• Jean VigoRelated: Truffaut helped establish Vigo’s reputation through criticism and argued for his lasting importance.

• Raoul CoutardRelated: Coutard also photographed major Truffaut films, including Jules and Jim.

• Cinema of FranceRelated: His films helped define the movement's personal, cinephilic approach.

• Georges DelerueRelated: Their repeated collaboration made Delerue’s music a defining part of several Truffaut films.