Linked from
The 68 pages that link to Gospel music, each with the reason it gives.
Call and responseRelated: A soloist and congregation often create an energetic call-and-response exchange.
BluesRelated: Gospel and blues share vocal techniques and musical exchanges despite distinct settings and themes.
Rock and rollRelated: Gospel vocal intensity and performance techniques carried into early rock singing.
Rhythm and bluesRelated: Gospel vocal techniques and performance energy shaped many rhythm and blues singers.
Elvis PresleyNarrower topic: Presley’s gospel singing shaped his vocal style and remained central to his repertoire.
African American musicBroader topic: Gospel carries sacred traditions into churches, recordings, and popular performance.
Soul musicRelated: Its vocal intensity, call-and-response, and church-rooted phrasing became central to soul singing.
Aretha FranklinNarrower topic: Franklin’s phrasing, vocal runs, and call-and-response style drew deeply on gospel practice.
American popular musicRelated: Gospel performance practices and vocal styles fed directly into rhythm and blues and soul.
MelismaRelated: Gospel singers use melisma to heighten emotional emphasis and display vocal control.
House musicRelated: Gospel’s vocal style informs the uplifting, communal sound of many house tracks.
Vocal harmonyBroader topic: Gospel ensembles use vocal harmony for both arranged support and expressive response.
African-American historyRelated: Churches and gospel performance sustained communal life and influenced popular music.
SpiritualsRelated: Gospel developed from traditions that include spirituals, while incorporating newer musical forms.
Southern United StatesRelated: Southern Black churches helped shape gospel’s sound and social role.
Hard bopRelated: Gospel’s rhythms and emotional force helped shape hard bop’s sound.
Congregational singingRelated: Gospel songs often invite congregations to participate through singing and response.
Doo-wopRelated: Gospel's vocal intensity and group interplay helped shape doo-wop performance.
Johnny CashRelated: Gospel was a lasting part of Cash’s repertoire, from early recordings to later albums.
Ray CharlesRelated: He adapted gospel’s vocal fervor and call-and-response into secular songs.
Black churchRelated: Its musical forms grew from congregational worship and carried Black church expression beyond services.
James BrownRelated: Brown’s vocal intensity and performance style drew heavily on gospel practice.
Whitney HoustonRelated: Houston’s phrasing, melisma, and emotional intensity drew on gospel singing.
American folk musicRelated: Gospel’s church traditions and performers overlap with the development of American folk song.
G-funkCompared with: Its vocal traditions and harmonic language contrast with G-funk's instrumental focus on funk loops and synth leads.
Church musicBroader topic: Gospel music carries church traditions into congregational singing and wider performance.
Contemporary Christian musicCompared with: Its distinct history and musical traditions are often confused with contemporary Christian music.
Contemporary R&BRelated: Gospel vocal runs, harmonies, and call-and-response continue to inform R&B singing.
Little RichardRelated: Gospel vocal techniques shaped his shouts, melisma, and call-and-response delivery.
Motown SoundRelated: Gospel phrasing and vocal intensity helped shape Motown’s singing style.
Neo soulRelated: Gospel singing and church-derived vocal expression persist in neo soul.
The Apollo TheaterRelated: Gospel performers and vocal styles have been part of the Apollo’s musical lineage.
Christian musicBroader topic: Gospel is a major tradition within Christian music, with distinctive vocal and rhythmic practices.
Otis ReddingRelated: Redding carried gospel’s vocal intensity and call-and-response energy into secular songs.
Thomas A. DorseyNarrower topic: Dorsey’s compositions helped define gospel music as a recognizable modern genre.
Christian rockRelated: Gospel’s vocal and lyrical traditions influenced some Christian rock artists.
Mahalia JacksonNarrower topic: Jackson’s career became one of gospel music’s most influential public expressions.
Sam CookeRelated: Cooke’s gospel background shaped his phrasing, vocal power, and musical sensibility.
Etta JamesRelated: Its vocal intensity and phrasing shaped James's approach to secular songs.
A Change Is Gonna ComeRelated: Cooke’s vocal delivery draws on gospel’s emotional phrasing and rising intensity.
Albert AylerRelated: Gospel-like melodic contours and fervor gave Ayler’s music a recognizable emotional source.
Charles MingusRelated: Mingus adapted gospel’s fervor and call-and-response energy for instrumental jazz.
Horace SilverRelated: Gospel’s call-and-response and rhythmic intensity inform Silver’s ensemble writing.
Music of the United StatesBroader topic: Gospel shaped soul and popular singing while sustaining a powerful church tradition.
Religious musicBroader topic: Church worship shaped gospel’s expressive singing, repertory, and performance.
Sister Rosetta TharpeNarrower topic: Tharpe carried gospel vocal phrasing and repertoire into popular performance settings.
Clyde McPhatterNarrower topic: McPhatter’s vocal intensity and melismatic phrasing drew heavily on gospel practice.
Curtis MayfieldRelated: Its harmonies and language informed Mayfield’s soul songs, including “People Get Ready.”
D'AngeloRelated: Church music formed an early foundation for D'Angelo's vocal style.
Exile on Main St.Related: Gospel phrasing and backing vocals color several album tracks.