Linked from

The 49 pages that link to Gregorian chant, each with the reason it gives.

• HymnRelated: Medieval chant shaped the musical setting of Christian devotional texts.

• Christian monasticismRelated: Monastic worship helped preserve and cultivate the daily performance of liturgical chant.

• A cappellaRelated: Its unaccompanied singing is a longstanding example of vocal music in worship.

• MelismaRelated: Its Mass chants include syllabic, neumatic, and highly melismatic passages.

• Medieval manuscriptRelated: Chant manuscripts recorded melodies and texts for worship.

• Latin ChurchRelated: It is a distinctive musical tradition associated with Latin liturgy.

• Notre-Dame schoolRelated: Notre-Dame composers used chant melodies as the foundation for many polyphonic works.

• Diatonic scaleRelated: Its melodies draw on medieval modes built from diatonic pitch collections.

• Guido of ArezzoRelated: The repertory Guido taught and helped singers learn more reliably.

• Mass (music)Related: Its melodies provided musical material and models for early Mass compositions.

• NeumeRelated: The earliest surviving neumatic manuscripts chiefly record this chant repertory.

• Vocal phrasingRelated: Its text-led melodic lines show phrasing with little or no instrumental accompaniment.

• IsorhythmRelated: Chant melodies often supplied the borrowed material for an isorhythmic tenor.

• Pope Pius XRelated: Pius X promoted it as the model for music in Catholic worship.

• François-Joseph FétisRelated: Fétis studied and promoted older sacred repertories as part of music history.

• LéoninRelated: Léonin’s polyphony elaborated chant melodies used in church services.

• Cecilian MovementRelated: Cecilians treated chant as the primary model for restoring worship music.

• PérotinRelated: Notre-Dame organum often placed chant melodies beneath newly composed upper voices.

• Dies iraeRelated: The sequence is traditionally sung to a Gregorian chant melody.

• Arvo PärtRelated: Study of chant helped shape Pärt’s renewed approach to melody and sacred text.

• Ottorino RespighiRelated: Respighi drew on chant melodies in works including the Concerto gregoriano.

• Church serviceRelated: It became a defining musical tradition for Western Christian services.

• Edmond de CoussemakerRelated: Its manuscripts formed part of the medieval musical evidence he examined.

• HymnologyRelated: It provides a major musical and liturgical context for medieval hymnody.

• Music of ItalyRelated: Its use in Italian religious institutions connects local musical practice to Western liturgical history.