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The 38 pages that link to Igor Stravinsky, each with the reason it gives.

• Ballets RussesRelated: His commissions for the company included several landmark modernist ballets.

• Sergei DiaghilevRelated: Diaghilev commissioned the ballets that launched Stravinsky’s international career.

• Claude DebussyRelated: Stravinsky admired Debussy and collaborated with him, while pursuing radically different rhythmic experiments.

• George BalanchineRelated: Their sustained artistic partnership joined Stravinsky’s music to some of Balanchine’s most influential choreography.

• Neoclassicism (music)Related: His works made neoclassicism a major direction in twentieth-century composition.

• The Rite of SpringRelated: He composed the score and developed its musical design.

• Nikolai Rimsky-KorsakovRelated: Stravinsky studied with Rimsky-Korsakov and absorbed his command of orchestral color.

• Maurice RavelRelated: Ravel and Stravinsky met in Paris and shared the circle surrounding the Ballets Russes.

• Neoclassical balletRelated: His scores prompted Balanchine to build choreography around modern musical structure and rhythm.

• Sergei ProkofievCompared with: Stravinsky and Prokofiev were rival contemporaries who pursued distinct forms of rhythmic modernism.

• Vaslav NijinskyRelated: Nijinsky’s choreography for Stravinsky’s The Rite of Spring joined two avant-garde visions.

• The FiveRelated: His early compositions inherited Russian subjects and orchestral resources associated with Rimsky-Korsakov’s teaching.

• Michel FokineRelated: Fokine choreographed landmark works to Stravinsky’s scores, including both ballets.

• Russian classical musicBroader topic: His international career carried Russian musical influences into several major twentieth-century movements.

• Nino RotaRelated: Rota met Stravinsky during his American studies, an encounter in his early musical life.

• European modernismRelated: His music challenged established expectations of rhythm, harmony, and musical form.

• The FirebirdRelated: He composed the score that made this ballet his first major success.

• Musical modernismRelated: His changing styles show that modernism was not a single school or technique.

• Orchestral musicRelated: His rhythmic and timbral innovations changed modern orchestral writing.

• PolytonalityRelated: Stravinsky brought polytonal sonorities to international attention through works such as Petrouchka.

• PulcinellaRelated: He retained source melodies while changing their harmony, rhythm, and orchestral character.

• Bronislava NijinskaRelated: His score for Les Noces shaped the work’s percussive, collective movement.

• Erich Wolfgang KorngoldCompared with: Stravinsky’s stylistic reinventions offer a contrast to Korngold’s sustained late-Romantic idiom.

• Tōru TakemitsuRelated: Stravinsky publicly praised Takemitsu’s Requiem, bringing his work wider international attention.

• Francis PoulencRelated: Stravinsky’s music impressed the young Poulenc and reinforced his interest in rhythmic bite and formal clarity.

• Karol SzymanowskiCompared with: Stravinsky offers a contrasting model of modernism alongside Szymanowski’s evolving style.

• Giovanni Battista PergolesiRelated: Stravinsky's ballet renewed modern interest in Pergolesi while relying partly on misattributed works.

• Maurice BéjartRelated: Béjart choreographed major works to Stravinsky, including a new Rite of Spring.

• Elliott CarterCompared with: Carter’s evolving rhythmic complexity followed a different path from Stravinsky’s influential neoclassical style.

• George AntheilCompared with: Antheil’s public reputation as a musical provocateur was often framed alongside Stravinsky’s earlier modernist shock.

• Carlo GesualdoRelated: Stravinsky’s engagement with Gesualdo helped renew twentieth-century interest in his music.

• Grosse FugeRelated: He admired the fugue and called it contemporary in its vision.

• The Song of the Volga BoatmenRelated: He made a brief orchestral arrangement of the song for a 1920 benefit.

• 1812 OvertureRelated: His 1919 arrangement for piano four hands helped circulate the overture beyond the orchestra.

• 20th-century classical musicRelated: His changing idioms make the century’s stylistic shifts visible in one career.

• Music of RussiaBroader topic: His early ballets carried Russian themes into international modernism.

• Pierre MonteuxRelated: Monteux conducted the Paris premiere of Stravinsky’s The Rite of Spring in 1913.

• Vera ZorinaRelated: Zorina performed in Balanchine’s staging of his ballet Orpheus.