Linked from
The 17 pages that link to Imagination, each with the reason it gives.
Romanticism in philosophyRelated: Romantics regarded imagination as a formative power, not merely a tool for copying reality.
RomanticismRelated: Romantics regarded imagination as a creative power, not merely a store of mental images.
German RomanticismRelated: Romantics treated imagination as a creative power, not merely a tool for copying the world.
AestheticsRelated: Aesthetic experience often depends on imagining meanings and possibilities beyond what is directly present.
Aesthetic experienceRelated: Imagination lets perceived features suggest scenes, meanings, and possibilities beyond what is present.
Samuel Taylor ColeridgeRelated: Coleridge treated imagination as an active power that shapes artistic unity.
Stella AdlerRelated: She treated imaginative creation as a stronger resource than mining private pain.
ToyRelated: Many toys become props for imagined people, places, and stories.
Pierre GassendiRelated: Gassendi treated mental operations as grounded in sensory images rather than innate ideas.
The PreludeRelated: Wordsworth presents imagination as the power that makes experience formative and poetic.
Active imaginationNarrower topic: Active imagination uses this capacity while adding deliberate, sustained participation.
Gaston BachelardNarrower topic: His later philosophy treats imagination as a creative power, not a copy of remembered reality.
Calvin and HobbesRelated: Calvin’s fantasies continually reshape ordinary settings and events.
On the SoulRelated: It mediates between perception and thought in Aristotle’s account of animal cognition.
Romantic literatureRelated: Romantic writers treated imagination as a creative power, not merely a store of images.
Émile CouéRelated: Coué argued that imagination could outweigh conscious will in shaping behavior.
Romanticism in scienceRelated: Romantic science treated imaginative insight as a way to perceive patterns hidden from direct observation.