Linked from

The 14 pages that link to Imitation (music), each with the reason it gives.

• CounterpointRelated: Imitation lets independent lines share recognizable material without moving in unison.

• Renaissance musicRelated: Imitative entries bind many motets and masses into coherent textures.

• FugueRelated: Successive imitation is the basic process behind a fugue's subject entries.

• MotetRelated: Renaissance motets often develop their polyphony through overlapping imitative entries.

• Musical textureRelated: Staggered copies build layered textures from one musical idea.

• Canon (music)Narrower topic: Canon is a rule-governed form of imitation, typically with a fixed entry delay.

• Cantus firmusCompared with: Unlike a sustained cantus firmus, imitative writing passes motifs between moving voices.

• Parody massRelated: Imitative entries could carry borrowed motives through the mass’s voices.

• Josquin des PrezRelated: His motets use successive entries to make textual phrases audible across the ensemble.

• Johannes OckeghemRelated: Imitation links Ockeghem’s vocal lines without requiring every passage to follow strict canon.

• Missa Papae MarcelliRelated: Imitative entries shape the texture while distributing the text among voices.

• Adrian WillaertRelated: Imitative writing is a central feature of Willaert’s motets and masses.

• Spem in aliumRelated: Melodic entries pass between the eight choirs, making imitation audible on a monumental scale.

• Girolamo FrescobaldiRelated: Imitative entries organize many of his ricercars and capriccios.