Linked from

The 15 pages that link to Ink wash painting, each with the reason it gives.

• Chinese landscape paintingRelated: Wash gradations create mist, depth, and water within landscape compositions.

• Dong QichangRelated: Its controlled tonal shifts let Dong evoke depth while keeping the image visibly calligraphic.

• Sumi-eNarrower topic: Sumi-e belongs to this broader tradition of painting with ink and water.

• Sesshū TōyōNarrower topic: Sesshū made this medium the basis of his landscape practice.

• Chinese ink paintingBroader topic: It names the tonal approach often associated with Chinese ink painting.

• Shen ZhouRelated: Shen Zhou used ink's tonal range to build mountains, trees, and atmospheric space.

• Kim Hong-doRelated: Kim's line and ink handling draw on methods central to East Asian painting.

• Guo XiRelated: Ink washes let his scenes move between solid rock and dissolving mist.

• Hasegawa TōhakuRelated: Tōhaku used washes and controlled brushwork to suggest mist, distance, and foliage.

• Li TangRelated: Li Tang used controlled ink effects to give mountains weight and surface.

• ShitaoRelated: Shitao’s expressive landscapes draw on ink’s capacity for both precision and accident.

• Kanō MasanobuRelated: Masanobu worked within the ink-painting practice prized by the Ashikaga court.

• Thawan DuchaneeRelated: Thawan’s brushwork draws on Asian ink traditions while amplifying their scale and intensity.

• Chŏng SŏnRelated: His bold ink handling gave Korean mountains distinctive texture and dramatic force.

• Landscape by SesshūNarrower topic: The painting builds landscape forms through changes in ink density and brush pressure.