Linked from

The 31 pages that link to Jean-Luc Godard, each with the reason it gives.

• French New WaveBroader topic: His Breathless made jump cuts and self-conscious storytelling emblematic of the movement.

• Quentin TarantinoRelated: Godard’s playful approach to film form offers a notable precedent for Tarantino’s stylistic self-awareness.

• François TruffautCompared with: Godard’s radical formal experimentation contrasts with Truffaut’s often more classical storytelling.

• André BazinRelated: Godard emerged from the same critical culture Bazin helped build at Cahiers du cinéma.

• Jump cutRelated: Godard used jump cuts to make editing visible rather than hide it.

• Political cinemaRelated: His later films challenged how images and commercial cinema reproduce political assumptions.

• Agnès VardaRelated: Godard and Varda became leading, distinct voices within the same cinematic movement.

• Cahiers du cinémaRelated: He moved from writing for the magazine to making films that put its ideas into practice.

• Jean CocteauRelated: Godard admired Cocteau and later invoked him as a model of the artist working across forms.

• Brigitte BardotRelated: Godard cast Bardot in Contempt, placing her in a formally experimental film.

• Susan SontagRelated: Sontag admired his cinema and discussed its challenge to conventional storytelling.

• Fritz LangRelated: Godard’s later engagement with Lang made the older director a visible figure in postwar film culture.

• BreathlessRelated: Godard directed Breathless and developed its disruptive style with a small production crew.

• Dziga VertovRelated: Godard and the Dziga Vertov Group later invoked Vertov in politically engaged filmmaking.

• Jean-Paul BelmondoRelated: Godard directed Belmondo in Breathless and Pierrot le Fou.

• Robert BressonRelated: Godard admired Bresson and described his influence as central to the possibilities of cinema.

• Chantal AkermanRelated: Akerman identified his Pierrot le Fou as a decisive inspiration for making films.

• Pierrot le FouRelated: Godard shapes the film’s jump-cut rhythms, political interruptions, and playful disregard for conventional storytelling.

• WeekendRelated: Godard wrote and directed Weekend as one of his most uncompromising attacks on bourgeois society.

• Jacques RivetteRelated: Godard and Rivette emerged from overlapping Parisian film criticism and filmmaking circles.

• Andrew SarrisRelated: Sarris’s account of directorial authorship drew attention to directors such as Godard.

• Jean SebergRelated: Godard cast Seberg as Patricia in Breathless, linking her image to his film movement.

• Juliette BinocheRelated: Godard cast Binoche in Hail Mary, an early collaboration with an influential French auteur.

• Anna KarinaRelated: He directed Karina in seven feature films and shaped her best-known screen work.

• Michel PiccoliRelated: Godard cast Piccoli as a screenwriter caught between artistic ambition and commercial cinema in Contempt.

• Raoul CoutardRelated: Godard was Coutard’s most sustained collaborator and the director most closely associated with his New Wave work.

• Cinema of FranceRelated: His editing and narrative experiments made French cinema a center of modernist debate.

• Michel HazanaviciusRelated: Hazanavicius made a film centered on Godard's life and filmmaking during 1967.

• Claire DenisCompared with: His overtly argumentative style contrasts with Denis’s more sensory, elliptical approach.

• Georges DelerueRelated: Delerue’s score for Contempt contrasts with Godard’s disruptive visual and narrative style.

• Postmodernist filmRelated: His films made editing, quotation, and the act of filmmaking conspicuous.