Linked from

The 19 pages that link to Jump cut, each with the reason it gives.

• Jean-Luc GodardRelated: Godard made the jump cut a conspicuous expressive device in Breathless.

• François TruffautRelated: Truffaut used conspicuous editing within a New Wave style that rejected polished continuity.

• Agnès VardaRelated: Varda’s editing uses visible breaks rather than concealing every construction.

• Arthur PennRelated: Discontinuous editing in Bonnie and Clyde intensifies the film's unstable, subjective violence.

• Pierrot le FouRelated: The film uses abrupt cuts to make movement and continuity feel deliberately unstable.

• Takeshi KitanoRelated: Kitano’s abrupt edits can make violence arrive without conventional buildup.

• WeekendRelated: Abrupt editing contributes to the film’s deliberately unstable, anti-naturalistic style.

• Kinji FukasakuRelated: Fukasaku’s abrupt cutting intensifies confusion and motion during violence.

• Man with a Movie CameraRelated: Abrupt transitions make the film’s construction visible instead of smoothing it over.

• Djibril Diop MambétyRelated: Mambéty’s sharp cuts help make transitions feel disruptive and expressive.

• Seijun SuzukiRelated: Abrupt transitions help his films unsettle conventional continuity and pacing.