Ludwig Mies van der Rohe

Ludwig Mies van der Rohe was a German-American architect and educator whose modernist buildings emphasized clear structure, open space, and industrial materials. His work shaped the International Style and twentieth-century architecture.

Barcelona Pavilion: A 1929 German pavilion in Barcelona designed by Mies van der Rohe, known for its free plan and refined materials. Its flowing marble planes and slender supports crystallize his approach to open space.
Steel-frame construction: A building method in which a skeleton of steel columns and beams supports floors and roofs. The frame separates support from enclosure in many of his major buildings.
Aachen: A city in western Germany where Mies van der Rohe was born in 1886. His upbringing and early training began in this regional center.
Lilly Reich: A German designer and architect who collaborated with Mies van der Rohe on exhibitions and interiors. Their joint work shaped major projects, including the Barcelona Pavilion and Villa Tugendhat.
Expressionism: A movement that distorts form and color to convey emotional or subjective experience. Its expressive forms differ from his preference for disciplined structure and visual restraint.
Villa Tugendhat: A 1930 modernist house in Brno designed by Mies van der Rohe and Lilly Reich. Its open living area and steel-frame construction bring his spatial ideas into a home.
Curtain wall: A non-load-bearing exterior wall attached to a building's structural frame. Glass curtain walls let his steel buildings read as exposed frameworks rather than solid masonry.
Peter Behrens: A German architect and designer whose office trained several leading modern architects. Mies worked in Behrens's office, encountering large-scale architectural practice and modern design.
Philip Johnson: An American architect and critic who collaborated with Mies van der Rohe on the Seagram Building. Their partnership brought Mies's tower design to a prominent New York commission.
Art Deco: A design style associated with geometric ornament, luxurious materials, and streamlined forms. Its decorative emphasis contrasts with his reduction of ornament and articulation of structure.

Linked from 14 pages