KnowraMale gazeLinked fromLinked fromThe 29 pages that link to Male gaze, each with the reason it gives.All 29Broader topic 1Related 24Compared with 4Feminist film theoryRelated: Laura Mulvey used this concept to explain how classical cinema organizes looking around masculine desire.Feminist artRelated: It names a representational power structure that feminist art frequently disrupts.Radical feminismRelated: Radical feminist cultural criticism examines how representation can reinforce male power.Sexual objectificationRelated: It helps explain how images can frame women as objects of sexual looking.ObjectificationRelated: It identifies a representational structure through which women are framed for a presumed male viewer.Life drawingRelated: The tradition invites scrutiny of who looks, who is depicted, and who holds power.Feminist art criticismRelated: It helps explain how artworks position viewers and make women objects of looking.Feminist media studiesRelated: The concept links camera perspective and spectacle to unequal power between viewers and viewed subjects.SexualizationRelated: It helps explain how visual conventions frame subjects for sexualized viewing.VertigoRelated: The film’s transformation of Judy’s appearance makes looking and control central critical questions.Erotic filmRelated: It offers a framework for analyzing whose desire shapes erotic images and whose bodies they display.Nude (art)Related: It explains how many traditional female nudes organize the viewer’s attention and authority.The Turkish BathRelated: The bathers are arranged as an erotic spectacle for an implied outside viewer.Cindy ShermanRelated: Sherman's staged women expose how images can anticipate and shape a viewer's gaze.Damsel in distressRelated: The endangered woman may be framed for looking as much as for narrative rescue.Final girlRelated: Critics ask whether the final girl escapes objectification or remains framed through it.Women film directorsRelated: Women directors’ choices have been analyzed as challenges to established cinematic looking relations.A Bar at the Folies-BergèreRelated: The barmaid’s look outward complicates the viewer’s position as a presumed spectator.Rokeby VenusRelated: The painting’s exposed body and mirror invite debate about who controls the act of looking.Pamela AndersonRelated: Media portrayals of Anderson often made her appearance more visible than her acting or advocacy.Anita SarkeesianRelated: It helps explain how game imagery can frame women as objects for players to look at.History of erotic depictionsRelated: It helps analyze whose desire erotic images center and whose bodies they frame.Lesbian eroticaRelated: Critiques ask whether some depictions of women together center male spectators rather than women’s desire.Nobuyoshi ArakiRelated: The concept helps explain why critics contest the viewpoint and objectification in Araki's erotic photographs.
KnowraMale gazeLinked fromLinked fromThe 29 pages that link to Male gaze, each with the reason it gives.All 29Broader topic 1Related 24Compared with 4Feminist film theoryRelated: Laura Mulvey used this concept to explain how classical cinema organizes looking around masculine desire.Feminist artRelated: It names a representational power structure that feminist art frequently disrupts.Radical feminismRelated: Radical feminist cultural criticism examines how representation can reinforce male power.Sexual objectificationRelated: It helps explain how images can frame women as objects of sexual looking.ObjectificationRelated: It identifies a representational structure through which women are framed for a presumed male viewer.Life drawingRelated: The tradition invites scrutiny of who looks, who is depicted, and who holds power.Feminist art criticismRelated: It helps explain how artworks position viewers and make women objects of looking.Feminist media studiesRelated: The concept links camera perspective and spectacle to unequal power between viewers and viewed subjects.SexualizationRelated: It helps explain how visual conventions frame subjects for sexualized viewing.VertigoRelated: The film’s transformation of Judy’s appearance makes looking and control central critical questions.Erotic filmRelated: It offers a framework for analyzing whose desire shapes erotic images and whose bodies they display.Nude (art)Related: It explains how many traditional female nudes organize the viewer’s attention and authority.The Turkish BathRelated: The bathers are arranged as an erotic spectacle for an implied outside viewer.Cindy ShermanRelated: Sherman's staged women expose how images can anticipate and shape a viewer's gaze.Damsel in distressRelated: The endangered woman may be framed for looking as much as for narrative rescue.Final girlRelated: Critics ask whether the final girl escapes objectification or remains framed through it.Women film directorsRelated: Women directors’ choices have been analyzed as challenges to established cinematic looking relations.A Bar at the Folies-BergèreRelated: The barmaid’s look outward complicates the viewer’s position as a presumed spectator.Rokeby VenusRelated: The painting’s exposed body and mirror invite debate about who controls the act of looking.Pamela AndersonRelated: Media portrayals of Anderson often made her appearance more visible than her acting or advocacy.Anita SarkeesianRelated: It helps explain how game imagery can frame women as objects for players to look at.History of erotic depictionsRelated: It helps analyze whose desire erotic images center and whose bodies they frame.Lesbian eroticaRelated: Critiques ask whether some depictions of women together center male spectators rather than women’s desire.Nobuyoshi ArakiRelated: The concept helps explain why critics contest the viewpoint and objectification in Araki's erotic photographs.