Linked from

The 14 pages that link to Michel Fokine, each with the reason it gives.

• Ballets RussesRelated: His ballets established the company’s early choreographic identity.

• Sergei DiaghilevRelated: His choreography established the Ballets Russes’ early artistic identity.

• Neoclassical balletRelated: His reforms helped loosen the conventions that neoclassical choreographers later reworked.

• Anna PavlovaRelated: Fokine choreographed Pavlova’s signature solo, The Dying Swan.

• The FirebirdRelated: He created the original choreography for The Firebird.

• The Dying SwanRelated: He created the solo in 1905 for Anna Pavlova.

• Bronislava NijinskaRelated: Nijinska danced in Fokine’s ballets before developing her own choreographic approach.

• Tamara KarsavinaRelated: His choreography gave Karsavina title and featured roles in defining productions.

• The Carnival of the AnimalsRelated: He created a ballet using the suite’s music for Sergei Diaghilev’s Ballets Russes.

• Ida RubinsteinRelated: He choreographed Rubinstein’s 1909 role in Cléopâtre for Sergei Diaghilev’s Ballets Russes.

• Olga SpessivtsevaRelated: Fokine created and staged works in the repertory she danced.

• Tamara GevaRelated: Geva’s training and early performance world emerged from the ballet traditions Fokine helped transform.