KnowraMusical interpretationLinked fromLinked fromThe 31 pages that link to Musical interpretation, each with the reason it gives.All 31Related 19Narrower topic 12Wilhelm FurtwänglerNarrower topic: His conducting treated a score as a structure whose meaning emerged through performance.Claudio ArrauNarrower topic: Arrau’s performances are often discussed through their balance of structural rigor and expressive freedom.Sviatoslav RichterNarrower topic: Richter’s distinctive readings show how written notes become individual performances.Bruno WalterNarrower topic: Walter’s legacy rests on interpretive choices preserved in performances and recordings.Artur SchnabelNarrower topic: Schnabel treated interpretation as a search for a work’s structure rather than an opportunity for display.Rudolf SerkinNarrower topic: Serkin’s reputation rested on how he made scores sound disciplined, direct, and expressive.David OistrakhNarrower topic: Oistrakh’s performances balanced structural clarity with expressive warmth.Jacqueline du PréNarrower topic: Du Pré’s reputation rests on vivid interpretive choices as much as technical command.Krystian ZimermanNarrower topic: His reputation rests on highly considered choices that make familiar scores sound newly specific.Sergiu CelibidacheNarrower topic: His tempo, phrasing, and rehearsal methods formed a distinctive theory of interpretation.Wilhelm BackhausNarrower topic: Backhaus favored clear structure and restraint over overtly personal or theatrical expression.Alfred BrendelNarrower topic: Brendel’s reputation rests on making interpretive decisions that expose a score’s structure and character.