Linked from

The 43 pages that link to Musique concrète, each with the reason it gives.

• Sampling (music)Related: It established editing and rearranging recordings as compositional techniques.

• Electronic musicRelated: Its studio-based methods established recording itself as compositional material.

• Free jazzRelated: Its expanded idea of musical sound parallels free jazz’s challenge to conventional instrumental tone.

• TurntablismRelated: It offers a distinct tradition of treating recorded sound as compositional material.

• Ambient musicRelated: Its use of recorded sound helped establish techniques later adopted in ambient composition.

• Sound artRelated: It is a close historical neighbor where sound art meets experimental composition.

• Ennio MorriconeRelated: His scores sometimes treated whistles, bells, gunshots, and other sounds as musical material.

• Contemporary classical musicRelated: It helped establish recorded sound itself as compositional material.

• Sound collageRelated: This early French movement established recorded sound as compositional material.

• TropicáliaRelated: Its studio techniques helped make sound collage part of Tropicália’s musical vocabulary.

• Musical quotationRelated: Its use of found recordings offers a close, sound-based counterpart to musical quotation.

• Industrial musicRelated: Its use of manipulated recordings helped establish sound itself as musical material.

• KrautrockRelated: Some groups brought tape-based sound experimentation into rock arrangements.

• Jonny GreenwoodRelated: Greenwood has used found sounds and electronic manipulation in both band arrangements and film scores.

• Noise musicRelated: It showed how non-instrumental sounds could serve as compositional material.

• SmileRelated: Smile’s sound collages drew on studio practices associated with musique concrète.

• Studio as an instrumentRelated: It makes explicit a compositional logic that studio-based popular music often applies within songs.

• Frank ZappaRelated: Its tape-based sound collage techniques informed Zappa’s studio experiments.

• Pink FloydRelated: The band used environmental recordings and sound collage to expand rock arrangements.

• Tōru TakemitsuRelated: Takemitsu’s early experiments with recorded sound helped shape his modernist language.

• Art rockRelated: Its use of recorded sound offered art rock a model for treating noise as musical material.

• Luciano BerioRelated: Berio’s early studio work engaged with the sound-manipulation practices that shaped postwar electronic composition.

• A Day in the LifeRelated: The song’s alarm clock and orchestral sound effects turn recorded noise into structure.

• Delia DerbyshireRelated: Its sound-first approach informed the Workshop’s experiments with recorded materials.

• Jean-Michel JarreRelated: Jarre studied this tradition, which helps explain his use of sound as material beyond conventional instruments.

• Neue MusikRelated: It extended compositional material beyond notes played on conventional instruments.