Linked from

The 13 pages that link to Nosferatu, each with the reason it gives.

• Silent filmBroader topic: Its shadows, locations, and physical imagery show silent horror's visual methods.

• Horror filmBroader topic: Its stark imagery made the vampire a lasting screen monster.

• German Expressionist cinemaBroader topic: Its shadows, locations, and stark imagery carry expressionist unease beyond painted sets.

• VampireBroader topic: Its ratlike Count Orlok gave cinema a striking visual vampire.

• Weimar cinemaBroader topic: Its location shooting and shadowy vampire imagery offer a different route into Weimar horror.

• DraculaBroader topic: Orlok’s gaunt appearance became one of cinema’s most distinctive transformations of Dracula.

• The Cabinet of Dr. CaligariRelated: Its location-based imagery offers a contrasting path for German silent horror after Caligari.

• Bram StokerRelated: The film’s unauthorized adaptation led to a landmark copyright dispute involving Stoker’s estate.

• Vampire folkloreBroader topic: The film’s monstrous, plague-associated vampire contrasts with later romantic portrayals.

• Dracula (1931 film)Compared with: Its grotesque visual vampire contrasts with Lugosi’s elegant, theatrical Count.

• F. W. MurnauBroader topic: Its uncanny locations and shadowed imagery established Murnau’s approach to screen horror.

• Sunrise: A Song of Two HumansRelated: Murnau’s earlier film offers a darker comparison for his visual style in Sunrise.

• Count DraculaCompared with: Its altered vampire, Count Orlok, shows how the character could be transformed through adaptation.