Linked from

The 17 pages that link to Oral-formulaic theory, each with the reason it gives.

• Oral traditionRelated: Explains how performers can create and recall long works without memorizing fixed texts.

• HomerRelated: It explains how the Homeric poems could be composed and transmitted in performance.

• IliadRelated: It explains recurring formulas and the poem’s relationship to oral performance.

• KalevalaRelated: It offers a framework for understanding the repeated language and variation in the Kalevala’s source songs.

• Poetic EddaRelated: It informs debates about how poems could circulate before surviving manuscripts were written.

• Oral literatureRelated: It explains how performers can create extended verse without memorizing every line verbatim.

• Homeric questionRelated: It explains how long poems could be composed and transmitted before written texts.

• Oral poetryRelated: It describes how poets can compose during performance without memorizing every line.

• NibelungenliedRelated: It offers a framework for examining how the epic may preserve traditions older than its written form.

• Epic of SundiataRelated: It helps explain variation and patterned language in orally transmitted epics.

• Homeric epicsRelated: It explains the poems’ repeated phrases and the flexibility of traditional epic composition.

• Epic simileRelated: It offers context for the recurring patterns and conventional comparisons in Homeric epic.

• Friedrich August WolfRelated: Later scholars tested Wolf’s account of oral composition with this model of how oral epic works.

• Daredevils of SassounRelated: Its concepts help explain variation across performances and recorded versions.