Linked from

The 12 pages that link to Parody mass, each with the reason it gives.

• Renaissance musicBroader topic: It shows how composers transformed secular or sacred polyphony into a mass setting.

• Classical music arrangementNarrower topic: It is an early, systematic form of reshaping existing music for a new setting.

• Mass (music)Broader topic: It shows how borrowed music could unify a setting across its movements.

• Musical quotationBroader topic: Its practice of reworking existing compositions anticipates later forms of musical borrowing.

• Franco-Flemish SchoolBroader topic: Borrowed polyphony became a major source for the school's mass settings.

• Renaissance polyphonyBroader topic: It shows how composers transformed whole textures rather than borrowing only one tune.

• Orlando di LassoRelated: Some of Lasso’s masses transform music drawn from earlier works.

• Mass in B minorRelated: Bach refashioned earlier sacred and secular pieces for several movements.

• Musical parodyBroader topic: It is a major historical form of systematic musical borrowing under the name parody.

• Tomás Luis de VictoriaRelated: This compositional method connects mass writing to the broader repertory of vocal polyphony.

• Guillaume Du FayCompared with: Its later method of borrowing differs from the cantus-firmus practice prominent in Du Fay’s masses.

• Orlande de LassusRelated: Several of his masses transform borrowed material into extended sacred settings.