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The 52 pages that link to Performance art, each with the reason it gives.

• Audience participationNarrower topic: Audience participation can alter the roles and boundaries that performance art tests.

• FluxusNarrower topic: Fluxus broadened the possibilities for performance as an independent artistic form.

• HappeningNarrower topic: Happenings are an early and influential form of event-centered art practice.

• Lip syncNarrower topic: Lip sync can turn imitation of recorded speech or song into a deliberate performance.

• Antonin ArtaudNarrower topic: Artaud’s emphasis on embodied action and direct audience impact anticipates concerns central to performance art.

• Feminist art movementNarrower topic: Its use of bodies, duration, and audience participation gave feminist artists tools beyond object-making.

• Body artNarrower topic: Body art frequently takes the form of an action unfolding before an audience.

• Dance improvisationNarrower topic: Some improvised dance performances cross into performance art through open-ended action.

• Yoko OnoNarrower topic: Her performances made the body and audience participation central artistic materials.

• Joseph BeuysNarrower topic: Beuys used live actions to make artistic meaning unfold through time and presence.

• Tristan TzaraNarrower topic: Tzara’s staged readings and Dada events made performance a means of challenging artistic norms.

• Chantal AkermanNarrower topic: Akerman’s film and installation practice often makes duration and bodily presence feel performative.

• WomanhouseNarrower topic: Live performances activated Womanhouse’s rooms and addressed experiences not conveyed by objects alone.

• Ana MendietaNarrower topic: Her actions made the living body a medium, even when photographs and films became the surviving works.

• Marina AbramovićNarrower topic: Abramović’s live actions exemplify a form whose medium is behavior in time.

• Andy KaufmanNarrower topic: Kaufman’s staged personas and audience confrontations overlapped with performance art’s use of live action.

• Grace JonesNarrower topic: Jones’s concerts often treated costume, gesture, and persona as integral parts of the performance.

• Loie FullerNarrower topic: Her stage experiments blurred dance with visual art, theatrical design, and technical demonstration.

• Yves KleinNarrower topic: Klein used live actions to extend painting beyond the canvas.

• Laurie AndersonNarrower topic: Anderson’s career grew from this field while expanding it through music and technology.

• Patrisse CullorsNarrower topic: Cullors uses performance to examine identity, violence, and collective memory.

• Vito AcconciNarrower topic: His early practice helped expand performance beyond theatrical presentation into real-world actions.

• Yayoi KusamaNarrower topic: Her public body-painting events connected her practice to the expansion of performance art.

• Birds Aren't RealNarrower topic: The movement's public appearances make its satire function as an ongoing performance.

• Flash mobNarrower topic: Flash mobs can borrow performance art’s use of live action in everyday settings.

• Human furnitureNarrower topic: A posed person can become a living element of a staged artwork.

• Oliver TreeNarrower topic: Tree’s characters and staged antics make performance itself part of his musical presentation.

• Philippe PetitNarrower topic: The walk blurred the boundaries between spectacle, artistic gesture, and public event.

• Viennese ActionismNarrower topic: Viennese Actionists made bodily action, rather than a durable object, the work itself.