Linked from

The 70 pages that link to Pigment, each with the reason it gives.

• FrescoNarrower topic: Fresco depends on pigments compatible with the alkaline, wet-plaster surface.

• NégritudeBroader topic: Its sharp, compressed poems expose the pressures against which Négritude asserted Black identity.

• Art conservationRelated: Pigments can react differently to light, solvents, and cleaning agents.

• CosmeticsRelated: Pigments provide color and coverage in products such as foundation and lipstick.

• TemperaRelated: Pigment particles supply color, while the tempera binder adheres them to a surface.

• ChromophoreNarrower topic: A pigment may contain one or more chromophores but describes the colored substance more broadly.

• Crystal polymorphismNarrower topic: Polymorphism can alter a pigment's shade, opacity, and durability.

• Cave paintingNarrower topic: Mineral and charcoal pigments supplied the colors used in cave paintings.

• DyeCompared with: Unlike dyes, pigments usually require a binder to adhere to a surface.

• PaintRelated: Pigments provide paint’s color and hiding power without dissolving into its binder.

• Illuminated manuscriptRelated: Pigments supplied the colors used in manuscript images and ornament.

• ImpastoNarrower topic: Impasto is made from paint whose pigment is carried in a thick medium.

• Additive colorCompared with: Pigments alter reflected light instead of adding emitted light.

• IridescenceCompared with: Pigment color usually remains more stable across viewing angles than structural iridescence.

• MuralRelated: Pigments supply mural color and influence its resistance to light and weather.

• PaintingBroader topic: Pigments supply the color that paint deposits on a surface.

• Subtractive colorRelated: Pigments absorb and scatter light in paints, coatings, and printing inks.

• InkRelated: Pigments provide color without dissolving in the ink's carrier.

• Insular artRelated: Pigments supplied the color contrasts that sharpened patterns in decorated manuscripts.

• Structural colorationCompared with: Pigments create color by selective absorption, unlike structures that redirect or interfere with light.

• Book of KellsRelated: Pigments produce the manuscript’s vivid colors and layered designs.

• OchreNarrower topic: Ochre is a mineral pigment whose color comes from iron compounds.

• PleochroismCompared with: Most pigment color is not tied to crystal viewing direction as pleochroic color is.

• Printing inkRelated: Pigments provide color while remaining dispersed rather than dissolved in many printing inks.

• ChromatophoreNarrower topic: Pigments are one component of chromatophore coloration, but reflective cells can create color without them.

• Glazing (painting technique)Narrower topic: Pigment properties determine how much light a glaze transmits or absorbs.

• Acrylic paintRelated: Pigment supplies color while the acrylic binder holds it in the dried layer.

• GouacheNarrower topic: Pigment particles supply gouache’s color and contribute to its covering power.

• Lindisfarne GospelsRelated: Mineral and organic colorants create the manuscript’s vivid painted decoration.

• Manuscript illuminationNarrower topic: Pigment choice determined an illumination's hues, availability, and expense.

• Thin-film interferenceCompared with: Pigment color depends chiefly on material absorption, not phase differences between boundary reflections.

• Watercolor paintingNarrower topic: Pigment particles provide watercolor’s color and determine properties such as staining and granulation.

• MakeupRelated: Pigments supply much of makeup’s visible color.

• Oil paintNarrower topic: Pigment supplies oil paint’s color while the oil binds its particles into a film.

• UltramarineNarrower topic: Ultramarine is a pigment, not a dye dissolved into its medium.

• Encaustic paintingRelated: Pigments supply color while wax carries them onto the support.

• PolychromyRelated: Pigments supply color in many painted forms of polychromy.

• Fayum mummy portraitsRelated: Artists mixed pigments with wax or other binders to create portrait colors.

• A Sunday Afternoon on the Island of La Grande JatteNarrower topic: The painting’s physical pigments remain distinct even when the eye blends their colors.

• Neo-ImpressionismRelated: Physical pigments behave differently from the optical color mixtures the paintings sought to evoke.

• Azo compoundRelated: Some azo compounds are engineered as insoluble pigments rather than soluble dyes.

• Textile printingRelated: Pigments sit on fabric surfaces and generally require a binder to adhere.

• European paintingNarrower topic: Available pigments shaped the palettes, costs, and technical choices of European painters.

• Saharan rock artNarrower topic: Mineral and other pigments supplied the color of painted Saharan images.

• Animal colorationNarrower topic: Pigments create coloration through selective absorption, unlike purely structural effects.

• Chrome yellowNarrower topic: Chrome yellow is a pigment rather than a soluble dye.

• Monumental paintingNarrower topic: Pigment choice affects the visibility and durability of paintings exposed to large spaces and changing light.

• Nail polishRelated: Pigments provide opacity and color that dissolved dyes may not supply.

• Copper(II) carbonateNarrower topic: Malachite and azurite have been used as mineral pigments.

• Enamel paintRelated: Pigments give enamel its color and can affect hiding, gloss, and durability.