Linked from

The 11 pages that link to Pitch class, each with the reason it gives.

• Pitch (music)Broader topic: It retains a note’s identity while discarding its specific register.

• Twelve-tone techniqueNarrower topic: Rows order pitch classes rather than fixing each note to a particular octave.

• Pentatonic scaleRelated: It clarifies why a scale can repeat its five-note collection in successive octaves.

• Musical scaleRelated: Scales usually select pitch classes, even when they span several registers.

• Whole-tone scaleNarrower topic: The scale’s two transpositionally distinct forms are collections of pitch classes.

• Chromatic scaleRelated: The scale contains all twelve pitch classes in the octave.

• Key signatureRelated: Each signature alters pitch classes across octaves, even though notation marks particular staff positions.

• Circle of fifthsNarrower topic: The circle orders the twelve pitch classes rather than particular registers.

• Tone rowNarrower topic: A tone row orders pitch classes rather than fixing a single register.

• Elliott CarterRelated: Carter’s harmonic organization often coordinates pitch-class choices with rhythmic and instrumental contrasts.

• Milton BabbittRelated: Pitch classes let Babbitt define and transform rows without tying them to a particular register.