Linked from
The 45 pages that link to Polyphony, each with the reason it gives.
Postcolonial literatureRelated: Multiple voices can resist a single authoritative account of colonial history.
Fyodor DostoevskyRelated: Dostoevsky lets conflicting beliefs speak with force instead of resolving them through a single narrator.
Vocal harmonyRelated: Vocal parts become polyphonic when each carries a distinct, interacting melody.
Choral musicRelated: Independent vocal lines create a common texture in choral repertoire.
Menippean satireRelated: Its unresolved plurality clarifies how Menippean works stage ideas rather than simply announce them.
Mass (music)Related: Renaissance composers used interweaving voices to set Mass texts.
Piano rollRelated: Multiple perforations across the roll can trigger several notes at once.
Milan KunderaRelated: Kundera combines narrators, characters, and essays to resist a single authoritative interpretation.
The CantosRelated: The Cantos brings historical figures, translated texts, and Pound's own voice into one poem.
Organ (music)Related: Multiple keyboards, pedals, and stops allow organists to sustain several musical lines.
ClavichordRelated: Whether notes can overlap depends partly on the clavichord’s fretted or unfretted string layout.
Adagio for StringsRelated: The voices enter successively, building a layered texture rather than moving as one block.
Svetlana AlexievichRelated: Her many speakers create collective narratives without a single all-knowing narrator.
Tomás Luis de VictoriaRelated: Victoria’s vocal writing interweaves independent lines while keeping sacred words intelligible.
Fantasia on a Theme by Thomas TallisRelated: Interweaving lines let the Tallis tune emerge within a shifting ensemble texture.
Juan RulfoRelated: Rulfo layers characters’ voices without settling them into one authoritative account.
Mia CoutoRelated: Shifting narrators let his novels hold competing memories and interpretations without reducing them to one account.
Edmond de CoussemakerRelated: His research and editions helped bring early European polyphony to scholarly attention.
Partita for Violin No. 2Related: Bach suggests multiple voices on a single violin through register, harmony, and double stops.
William GaddisRelated: Gaddis’s crowded dialogue lets competing social voices expose one another’s assumptions.