Linked from

The 14 pages that link to Richard Avedon, each with the reason it gives.

• Fashion photographyRelated: His movement-filled images made studio fashion photography feel theatrical and alive.

• VogueRelated: His dynamic fashion images helped move Vogue photography beyond static studio poses.

• Harper's BazaarRelated: His long collaboration with the magazine reshaped fashion photography.

• Fashion modelingRelated: Avedon’s collaborations made models’ movement and personality central to fashion photographs.

• Fashion magazineRelated: His photographs gave magazine fashion imagery movement, personality, and a recognizable authorial style.

• Diana VreelandRelated: His photographs helped give Vreeland’s fashion stories their distinctive visual force.

• Fashion advertisingRelated: His work helped move fashion imagery beyond static studio presentation.

• Cindy CrawfordRelated: Avedon photographed Crawford, connecting her image to a major fashion-photography tradition.

• Irving PennCompared with: Avedon’s energetic approach offers a useful contrast to Penn’s compressed, controlled compositions.

• Helmut NewtonCompared with: Avedon offers a useful comparison with Newton’s more theatrical, often confrontational fashion imagery.

• Lisa FonssagrivesRelated: He photographed Fonssagrives for fashion editorials during the peak of her career.

• Nastassja KinskiRelated: He photographed Kinski for a celebrated 1981 portrait featuring a snake.

• Suzy ParkerRelated: Avedon’s fashion photographs helped define Parker’s public image and celebrity.

• Yousuf KarshCompared with: Avedon’s often spare, frontal portraits offer a different route to intensity than Karsh’s dramatic lighting.