Linked from

The 15 pages that link to Second Viennese School, each with the reason it gives.

• SerialismNarrower topic: Their works established the early sound and practice associated with serial composition.

• Arnold SchoenbergNarrower topic: The school names the close compositional lineage formed around Schoenberg.

• AtonalityRelated: Its composers shaped influential paths from free atonality to twelve-tone composition.

• Gustav MahlerRelated: Schoenberg and Berg regarded Mahler as a major predecessor to musical modernism.

• Alban BergNarrower topic: Berg belonged to this circle while retaining a more lyrical, historically referential style.

• Anton WebernNarrower topic: Webern studied with Schoenberg and became one of the school’s defining composers.

• Contemporary classical musicNarrower topic: Its innovations supplied influential foundations for postwar approaches to pitch organization.

• Pierrot LunaireNarrower topic: The work is a landmark of the musical innovations later linked with this circle.

• Musical modernismBroader topic: Its composers developed and extended atonal and twelve-tone approaches into a recognizable modernist lineage.

• WozzeckNarrower topic: Berg’s opera emerged from the musical circle that also included Schoenberg and Webern.

• Tone rowNarrower topic: Its composers developed and extended row-based composition.

• Egon WelleszNarrower topic: Wellesz’s early modernist music emerged in close contact with this circle.

• Expressionist musicRelated: Its members were the main composers associated with expressionist music.

• First Viennese SchoolCompared with: Its modernist approach contrasts with the First School’s late 18th-century Classical foundations.

• Neue MusikBroader topic: Its members established a central early current of Neue Musik.