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The 43 pages that link to Sergei Diaghilev, each with the reason it gives.

• BalletRelated: He brought choreographers, composers, designers, and dancers together in influential productions.

• Ballets RussesCompared with: His earlier exhibitions and concert seasons explain the company’s origins.

• Igor StravinskyRelated: Diaghilev commissioned Stravinsky’s early ballets and helped launch his international career.

• Marius PetipaCompared with: His company reworked Russian ballet traditions for international audiences after Petipa’s era.

• George BalanchineRelated: Diaghilev hired Balanchine as Ballets Russes’ principal choreographer in 1924.

• The Rite of SpringRelated: He commissioned the ballet and brought its composer, choreographer, and designers together.

• Russian balletRelated: He brought Russian-trained dancers and choreographers to international audiences.

• Jean CocteauRelated: Diaghilev commissioned Cocteau’s scenario for Parade and brought him into the company’s creative circle.

• Maurice RavelRelated: Diaghilev commissioned Daphnis et Chloé for the Ballets Russes.

• Neoclassical balletRelated: He brought artists together whose work challenged ballet’s inherited conventions before neoclassical ballet emerged.

• Sergei ProkofievRelated: His commissions brought Prokofiev into the international world of modern ballet.

• Anna PavlovaCompared with: Diaghilev’s company offered a distinct model of international ballet-making alongside Pavlova’s star-led tours.

• Erik SatieRelated: Diaghilev’s company premiered Parade, placing Satie’s score within the Ballets Russes’ experimental repertoire.

• Mariinsky BalletRelated: His company brought dancers trained in Saint Petersburg into international modernist culture.

• The Sleeping BeautyRelated: His 1921 London staging made The Sleeping Beauty a costly centerpiece of Ballets Russes repertory.

• Vaslav NijinskyRelated: Diaghilev promoted Nijinsky as a star, collaborator, and central figure in the company.

• Imperial Ballet SchoolRelated: His company carried dancers and repertory from the imperial ballet world into new artistic settings.

• Michel FokineRelated: Diaghilev hired Fokine as a leading choreographer for the company’s early seasons.

• American balletRelated: His company's American tours introduced audiences and artists to influential modern ballet repertory.

• Frederick AshtonRelated: Ashton saw the Ballets Russes in South America, an encounter that inspired his dance career.

• Russian classical musicRelated: His commissions and productions connected Russian composers with European artists and audiences.

• Manuel de FallaRelated: Diaghilev commissioned El sombrero de tres picos for the Ballets Russes.

• Edward SteichenRelated: Steichen’s portrait of Diaghilev connected his photography to the influential world of modern ballet.

• The FirebirdRelated: He commissioned the ballet as part of his company’s Paris seasons.

• PulcinellaRelated: Diaghilev proposed the ballet and brought its collaborators together.

• Alexander GlazunovRelated: Diaghilev’s ballet enterprise later presented Glazunov’s stage music abroad.

• The Dying SwanRelated: Pavlova’s success with the solo formed part of the ballet culture Diaghilev later transformed.

• Bronislava NijinskaRelated: His company commissioned Nijinska’s landmark works and gave her international prominence.

• Marie RambertRelated: Rambert worked with the Ballets Russes, absorbing its artistic and theatrical innovations.

• Alicia MarkovaRelated: He invited Markova to join the Ballets Russes as a teenager, launching her professional career.

• Tamara KarsavinaRelated: He recruited Karsavina as a leading dancer for his touring company.

• The Carnival of the AnimalsRelated: His company presented Fokine’s ballet version of the suite in 1919.

• History of balletRelated: His company brought ballet into collaboration with leading modern artists and composers.

• Mikhail KuzminRelated: Diaghilev’s journal and circle helped bring Kuzmin into the public life of Russian modernism.

• Ballet dancerRelated: His company transformed performance opportunities and public expectations for ballet dancers.

• Mathilde KschessinskaRelated: After leaving Russia, Kschessinska worked with Diaghilev’s company during its early Paris seasons.

• Robert JoffreyRelated: Diaghilev’s commissioning model parallels Joffrey’s practice of bringing artists and choreographers into ballet.

• Valentin SerovRelated: Diaghilev’s circle connected Serov’s generation to influential exhibitions and cultural projects.

• Ida RubinsteinRelated: Rubinstein performed with his company before founding independent productions.

• Olga SpessivtsevaRelated: Diaghilev engaged Spessivtseva for the Ballets Russes’ 1916 North American tour.

• Pierre MonteuxRelated: Diaghilev’s Ballets Russes commissioned the works Monteux premiered in Paris.

• Tamara GevaNarrower topic: Diaghilev’s company established the artistic network and touring model that preceded Geva’s American career.

• Vera ZorinaNarrower topic: His company provided the artistic legacy and network in which Zorina first rose to prominence.