Linked from

The 81 pages that link to Slapstick, each with the reason it gives.

• Charlie ChaplinNarrower topic: Chaplin’s Tramp comedy depends on carefully timed physical business rather than dialogue.

• Buster KeatonNarrower topic: His stunts are a distinctive, carefully controlled form of slapstick.

• Mack SennettNarrower topic: Sennett helped establish slapstick as a defining style of American film comedy.

• Looney TunesNarrower topic: Physical reversals and collisions drive many recurring cartoon gags.

• The Music BoxNarrower topic: The film’s laughs depend chiefly on visible exertion, accidents, and bodily reactions.

• Punch and JudyNarrower topic: Punch and Judy is a distinctive puppet-theatre form of slapstick.

• Jacques TatiNarrower topic: Tati’s subtle, spatially intricate gags belong to the wider history of physical screen comedy.

• Tom and JerryNarrower topic: Tom and Jerry turns pursuit, impact, and comic injury into its central language.

• A Night at the OperaNarrower topic: The cabin chaos and ensemble business draw on slapstick’s visual mechanics.

• Keystone StudiosNarrower topic: Keystone made this tradition a defining style of American screen comedy.

• The Gold RushNarrower topic: Chaplin turns hunger, storms, and cramped spaces into visual gags.

• Mabel NormandNarrower topic: It is the comic form Normand helped establish in early American films.

• Oliver HardyNarrower topic: Hardy’s films used physical setbacks as a central source of comedy.

• Roscoe ArbuckleNarrower topic: Arbuckle’s performances drew on slapstick traditions while adding precise movement and timing.

• Stan LaurelNarrower topic: Laurel’s screen persona made physical failure appear both deliberate and innocently bewildered.

• Benny HillNarrower topic: Slapstick supplied the falls, collisions, and bodily exaggeration central to Hill’s screen persona.

• Jerry LewisNarrower topic: Lewis’s falls, contortions, and collisions belong to this broad comic tradition.

• Homer SimpsonNarrower topic: Homer’s accidents make physical consequences a recurring source of comedy.

• BourvilNarrower topic: Bourvil's humor could use slapstick but was less frantic than the form's broadest examples.

• Max LinderNarrower topic: Linder adapted physical gags to a refined character rather than a roughhouse persona.

• Norman WisdomNarrower topic: Wisdom’s falls and collisions place his screen humor within this broad comic tradition.

• The Benny Hill ShowNarrower topic: The show’s pratfalls and frantic pursuits belong to this broad comic tradition.

• Era of SilenceNarrower topic: Slapstick thrived in silent cinema because its humor relied less on spoken language.

• GallagherNarrower topic: Gallagher’s prop-smashing routines adapted slapstick for a stand-up stage.

• Ken ShimuraNarrower topic: Shimura made bodily exaggeration and pratfalls central to many sketches.