Linked from

The 13 pages that link to Steadicam, each with the reason it gives.

• Long takeRelated: Its adoption expanded the practical possibilities for long moving takes.

• Martin ScorseseRelated: Scorsese used its mobile perspective for conspicuous tracking shots, including in Goodfellas.

• Stanley KubrickRelated: Its use in The Shining enabled long, fluid tracking shots through the Overlook Hotel.

• Handheld cameraCompared with: It permits operator movement while isolating the camera from much of the body's motion.

• Camera movementRelated: It enables fluid movement through locations where tracks are impractical.

• Plan sequenceRelated: Stabilized movement can follow performers through spaces without visible cuts.

• Tracking shotCompared with: It creates tracking movement without requiring a dolly track.

• Emmanuel LubezkiRelated: Stabilized movement helps sustain fluid tracking shots through complex spaces.

• John CarpenterRelated: Carpenter used mobile camera movement to make the killer's viewpoint in Halloween feel continuous and unseen.

• The ShiningRelated: Kubrick’s tracking shots make the hotel’s corridors feel navigable yet unnervingly continuous.

• Boogie NightsRelated: The opening nightclub sequence uses fluid tracking to introduce the film’s intertwined social world.

• Gaspar NoéRelated: Mobile, stabilized camera work helps Noé’s long takes travel through crowded spaces.

• History of film technologyBroader topic: It expanded filming options by enabling smooth movement without tracks or cranes.