Linked from

The 52 pages that link to T. S. Eliot, each with the reason it gives.

• W. H. AudenCompared with: Eliot’s monumental, impersonal modernism offers a useful contrast to Auden’s variety of voices.

• Walt WhitmanCompared with: Eliot’s modernist style offers a contrast to Whitman’s direct address and expansive catalogs.

• Carl SandburgCompared with: Eliot’s allusive, often fragmented modernism differs sharply from Sandburg’s direct public voice.

• Tomas TranströmerCompared with: Eliot’s dense cultural collage contrasts with Tranströmer’s more compressed and immediate images.

• Lionel TrillingCompared with: Eliot’s conservative cultural vision provides a foil to Trilling’s liberal commitments.

• Odysseas ElytisCompared with: Eliot’s modernism provides an international point of comparison for Elytis’s distinct Greek inheritance.

• Wallace StevensCompared with: Eliot’s use of inherited religious frameworks contrasts with Stevens’s search for secular belief.

• Alfred NoyesCompared with: Eliot’s formal experimentation marks a literary direction Noyes generally opposed.

• Basil BuntingCompared with: Eliot’s dominant model of modernism differs from Bunting’s emphasis on oral sound and regional speech.

• George SaintsburyCompared with: Eliot’s modernist critical priorities differ from Saintsbury’s broad historical surveys and canon judgments.

• Hart CraneCompared with: Crane’s affirmative, mythic treatment of America developed partly in opposition to Eliot’s modernist fragmentation.