Linked from

The 44 pages that link to Ukiyo-e, each with the reason it gives.

• Edo periodRelated: Its images circulated Edo-period fashions, performers, and travel destinations.

• Japanese artBroader topic: Its prints brought actors, courtesans, landscapes, and daily life to broad audiences.

• PrintmakingBroader topic: Its multicolor prints demonstrate the artistic range of collaborative woodblock production.

• Woodblock printingBroader topic: Woodblock printing made ukiyo-e images reproducible and commercially available.

• Japanese woodblock printingRelated: Ukiyo-e became the best-known setting for Japanese multicolor woodblock prints.

• JaponismeBroader topic: Its prints supplied Western artists with striking examples of flattened space, cropping, and everyday subjects.

• EdoBroader topic: Prints captured the fashions, entertainments, and landscapes of Edo.

• Nishiki-eNarrower topic: Nishiki-e became a major color-print format within ukiyo-e.

• Katsushika HokusaiNarrower topic: Hokusai worked within ukiyo-e while extending its subjects and visual range.

• Relief printingBroader topic: Its prints brought multiblock woodcut to wide technical and artistic refinement.

• Henri de Toulouse-LautrecBroader topic: Its bold contours and cropped views offer a close precedent for his poster compositions.

• Hishikawa MoronobuNarrower topic: Moronobu’s paintings and prints helped define this broader art form.

• Sumi-eCompared with: Its vivid printed colors and reproducible outlines differ from sumi-e’s brush-painted tonal economy.

• Bijin-gaNarrower topic: Bijin-ga became one of ukiyo-e’s major subject genres.

• The Great Wave off KanagawaNarrower topic: The Great Wave belongs to this print tradition.

• Japanese paintingRelated: Ukiyo-e shared subjects and artists with painting while relying on mass-produced prints.

• YoshiwaraNarrower topic: Ukiyo-e repeatedly represented Yoshiwara’s courtesans, fashions, and entertainments.

• Thirty-six Views of Mount FujiNarrower topic: The series belongs to ukiyo-e’s commercial print culture and landscape tradition.

• Shin-hangaNarrower topic: Shin-hanga renewed ukiyo-e’s subjects and woodblock craft for a modern market.

• Utagawa KuniyoshiNarrower topic: Kuniyoshi worked within this print culture while expanding its subjects and visual drama.

• Yakusha-eNarrower topic: Yakusha-e form a major subject category within this print tradition.

• KibyōshiRelated: Kibyōshi illustrations drew on the visual language of contemporary ukiyo-e.

• Meisho-eNarrower topic: Meisho-e became a major subject within ukiyo-e print production.

• SurimonoCompared with: Unlike many commercial ukiyo-e, surimono were privately commissioned and circulated in limited settings.

• Benizuri-eNarrower topic: Benizuri-e developed as a color-print form within ukiyo-e.

• Santō KyōdenNarrower topic: Kyōden worked as a print designer as well as a writer within this visual culture.

• SuperflatRelated: Its bold outlines and flat color fields echo features of Superflat imagery.

• Ukiyo-zōshiRelated: Ukiyo-e shared the genre’s urban subjects but expressed them through images.

• Utagawa schoolNarrower topic: The Utagawa school was one influential lineage within this larger artistic tradition.

• Aizuri-eNarrower topic: Aizuri-e’s influence and historical meaning belong to the broader history of ukiyo-e.

• HiroshigeNarrower topic: Hiroshige’s landscapes belong to this broader tradition of commercial Japanese image-making.

• SharakuNarrower topic: Sharaku’s portraits belong to this broader print tradition.

• Sōsaku-hangaCompared with: Its commercial production typically divided design, carving, and printing among specialists.

• The Dream of the Fisherman's WifeNarrower topic: Its woodblock technique and popular-print culture place it within ukiyo-e.

• Toyohara ChikanobuNarrower topic: Chikanobu worked within this established print tradition.

• Uemura ShōenRelated: Its images of women formed an influential precedent for modern bijin-ga.

• GenrokuRelated: Its early development reflects the era’s expanding market for popular images.

• Kawanabe KyōsaiRelated: Kyōsai worked within print culture while extending its subjects toward biting satire.

• Shibata ZeshinRelated: Its contemporary subjects and visual language informed Zeshin’s broad artistic world.

• Shinsui ItōRelated: Shin-hanga renewed ukiyo-e's print tradition, which shaped Itō's medium.

• Tanikaze KajinosukeNarrower topic: Print culture circulated images of famous wrestlers such as Tanikaze to a broad public.

• Uki-eNarrower topic: Uki-e developed within ukiyo-e, applying perspective to its subjects and print formats.

• Urushi-eNarrower topic: Urushi-e is an early print style within the wider ukiyo-e tradition.

• UtamaroNarrower topic: Utamaro worked within ukiyo-e’s commercial print culture.