Linked from

The 16 pages that link to Violin concerto, each with the reason it gives.

• Double stopNarrower topic: Solo passages often use double stops to intensify climaxes and cadenzas.

• Joseph JoachimNarrower topic: Joachim’s artistry became closely associated with the nineteenth-century concerto tradition.

• Anne-Sophie MutterNarrower topic: The concerto is the central format through which Mutter built her public profile.

• Henryk WieniawskiNarrower topic: Wieniawski’s two concertos place the solo violin at the center of large-scale orchestral works.

• Leopold MozartNarrower topic: His violin concertos show how he composed for the instrument he performed and taught.

• David OistrakhNarrower topic: Oistrakh’s premieres and performances expanded the twentieth-century concerto repertoire.

• Nathan MilsteinNarrower topic: Concertos formed a major part of Milstein’s public performance and recording career.

• Chevalier de Saint-GeorgesNarrower topic: Saint-Georges wrote violin concertos that showcased his virtuosity as both composer and performer.

• Hilary HahnNarrower topic: Concertos form a central part of Hahn’s recorded repertoire.

• Pablo de SarasateNarrower topic: Sarasate’s performances helped inspire major composers to write concertos and concert works for him.

• Concerto for Two ViolinsNarrower topic: This double concerto expands the genre’s usual solo-violin format to two.

• Giuseppe TartiniNarrower topic: Tartini’s concertos helped establish the solo violin concerto’s virtuoso profile.