Linked from

The 96 pages that link to World music, each with the reason it gives.

• Cultural homogenizationRelated: Its marketing raises questions about whether global circulation preserves or flattens musical distinctions.

• Miriam MakebaRelated: Makeba’s global career helped establish African music in international markets, though the category can flatten its cultural distinctions.

• RaïRelated: International marketing often presented raï through the world-music category.

• Art musicRelated: Its category shows how art-music labels can reflect cultural institutions and marketing as well as sound.

• Nusrat Fateh Ali KhanRelated: Khan’s international releases became prominent examples of how the category marketed South Asian music.

• Globalization of musicRelated: The category shaped how international music was marketed to Western audiences.

• IsicathamiyaRelated: International marketing placed some isicathamiya recordings within this category.

• BaulRelated: International recordings have circulated Baul music through this market, sometimes reshaping how it is framed.

• Don CherryRelated: Cherry drew on musical practices across regions, though the label can flatten their differences.

• New-age musicRelated: New-age recordings often borrow instruments and motifs associated with musical traditions across the world.

• Cheb MamiRelated: International releases often presented Mami’s raï through this global marketing category.

• Coke Studio PakistanRelated: International listeners often encounter the series through this marketing category.

• King Sunny AdéRelated: Adé’s Island releases became prominent examples of the category’s 1980s expansion.

• Ladysmith Black MambazoRelated: The ensemble’s global marketing helped shape how African music was categorized for international audiences.

• Musical nationalismRelated: Its marketing and performance contexts can recast national traditions for international audiences.

• Abida ParveenRelated: International promotion often placed her recordings within this global listening category.

• Ali Akbar KhanRelated: His recordings circulated internationally as audiences and institutions developed this category.

• Allauddin KhanRelated: His students' international careers helped bring Hindustani music to audiences beyond India.

• DjembeRelated: International djembe performance is often presented and marketed under this category.

• Papa WembaRelated: Wemba’s international career was often presented through this category.

• Alla RakhaRelated: Rakha's touring helped place Hindustani percussion within international programming and listening.

• James HornerRelated: Horner drew on sounds associated with particular cultures when shaping fictional and historical settings.

• Ali Farka TouréRelated: International releases and collaborations placed Touré within this category, which shaped how global audiences encountered him.

• Amália RodriguesRelated: Her international recordings helped introduce Portuguese fado to audiences outside its home context.

• Daler MehndiRelated: His international reception shows how Punjabi pop traveled through global music markets.

• Demis RoussosRelated: Roussos’s international success complicates simple divisions between Greek music and global pop.

• Mahotella QueensRelated: International promotion placed the Queens within this category during their global career.

• Mamady KeïtaRelated: His recordings circulated through markets and festivals that presented African music internationally.

• Ofra HazaRelated: Haza’s international success came partly through the era’s world-music market.

• Shahram NazeriRelated: International circulation of Nazeri’s recordings brought Persian performance into global listening contexts.

• Amr DiabRelated: International distribution helped bring Diab’s Arabic-language recordings to listeners worldwide.

• Berber musicRelated: The category has brought some Amazigh recordings to international stages and audiences.

• Daniela MercuryRelated: International promotion often positioned Mercury’s Bahian music within this global market category.

• Eusèbe JaojobyRelated: International promotion helped bring his Malagasy recordings to audiences beyond the island.

• Haris AlexiouRelated: International releases and multilingual performances brought aspects of Alexiou’s work into world-music contexts.

• Joaquín CortésRelated: International marketing often placed flamenco performances within this global category.

• The ChieftainsRelated: The band’s international reach helped place Irish traditional music within global music markets.

• YanniRelated: His compositions incorporate sounds and stylistic references associated with multiple musical traditions.

• Zucchero FornaciariRelated: His collaborations and multilingual recordings place his work across national music markets.