Linked from

The 36 pages that link to Fluxus, each with the reason it gives.

• DadaRelated: Fluxus revived Dada-like anti-art gestures through scores, events, and playful participation.

• Audience participationRelated: Fluxus instructions and events often invited participants to carry out the work.

• Performance artRelated: Fluxus artists made brief actions and instructions into artworks.

• John CageRelated: Cage’s teaching and ideas influenced artists associated with Fluxus, though he was not a member.

• Marcel DuchampRelated: Fluxus artists extended Duchamp’s challenge to conventional objects and boundaries between art forms.

• Contemporary artRelated: Its playful, interdisciplinary events anticipated later participatory and process-based practices.

• HappeningRelated: Fluxus artists pursued event-based practices closely related to happenings.

• Culture jammingRelated: Its disruptive public actions anticipate culture jamming’s playful interventions.

• Sound artRelated: Fluxus artists blurred boundaries between sound, action, performance, and visual art.

• Black Mountain CollegeRelated: The college’s cross-media experiments anticipated practices later associated with Fluxus.

• Avant-garde musicRelated: Its event scores carried experimental musical ideas into participatory, cross-disciplinary art.

• Participatory artRelated: Its event scores invited performers and audiences to carry out open-ended instructions.

• Body artRelated: Fluxus artists used simple actions and bodies to unsettle boundaries between art and life.

• Brian EnoRelated: Fluxus's event-based art offers context for Eno's later use of prompts and systems.

• Interactive artRelated: Fluxus scores invited participants to complete or reinterpret works through simple actions.

• Kurt SchwittersRelated: Fluxus performances and intermedia works echo Merz’s refusal to keep art forms separate.

• Artist's bookRelated: Fluxus made portable, reproducible publications central to its anti-monumental artistic practice.

• Experimental musicRelated: Its event-based works brought experimental musical ideas into visual art and performance.

• Neo-DadaRelated: Fluxus carried Neo-Dada’s anti-art impulses toward more explicitly participatory events.

• Yoko OnoRelated: Ono’s event scores and performances became closely associated with Fluxus.

• Joseph BeuysRelated: Beuys participated in Fluxus actions while developing a distinct social theory of art.

• La Monte YoungRelated: Young’s event scores and experimental performances intersected with early Fluxus activity.

• Noise musicRelated: Its event scores and anti-art gestures helped loosen the boundaries around what could count as music.

• Nam June PaikRelated: Its event-based, anti-establishment approach framed Paik’s early performances.

• Allan KaprowRelated: Fluxus artists shared Kaprow’s interest in brief actions and the boundary between art and life.

• New media artRelated: Its event-based practices challenged fixed objects and helped open art to participation.

• Mail artRelated: Fluxus artists used postal networks to circulate scores, objects, and collaborative projects.

• Pierre RestanyRelated: Its performance-based experiments followed Nouveau Réalisme’s challenge to conventional art objects and categories.

• Vito AcconciRelated: Its challenge to art's boundaries provides context for Acconci's use of ordinary actions.