Linked from

The 113 pages that link to Gothic fiction, each with the reason it gives.

• Edgar Allan PoeNarrower topic: Poe adapted Gothic conventions into psychologically intense tales such as “The Fall of the House of Usher.”

• Horror filmNarrower topic: Gothic fiction supplies horror films with haunted places, dark secrets, and atmospheric dread.

• Mary ShelleyNarrower topic: Her novels adapt Gothic conventions to examine scientific ambition, family, and social power.

• UncannyNarrower topic: Gothic fiction repeatedly turns familiar homes, histories, and relationships into sources of uncanny dread.

• FrankensteinNarrower topic: Frankenstein combines Gothic atmosphere with questions about knowledge and responsibility.

• Southern GothicNarrower topic: Southern Gothic adapts Gothic conventions to the American South’s places and histories.

• Body horrorNarrower topic: Gothic fiction supplied earlier horror with themes of forbidden knowledge and violated bodies.

• Jane EyreNarrower topic: Thornfield’s locked rooms and unexplained sounds bring Gothic conventions into Jane’s domestic story.

• DraculaNarrower topic: Its conventions shape Dracula’s castle, threats, and atmosphere of dread.

• Cosmic horrorNarrower topic: Cosmic horror inherits Gothic dread while shifting danger from haunted places to the universe.

• Weird fictionNarrower topic: Weird fiction inherits Gothic atmosphere while often replacing ancestral secrets with stranger, less human forces.

• Stephen KingNarrower topic: King adapts Gothic conventions while often placing them in contemporary American towns.

• Tim BurtonNarrower topic: Its shadowed settings and uncanny moods provide a foundation for Burton’s visual world.

• Wuthering HeightsNarrower topic: The novel uses Gothic conventions to intensify its atmosphere of violence and haunting.

• Bram StokerNarrower topic: Stoker’s novels adapt Gothic conventions to Victorian anxieties and modern settings.

• David CronenbergNarrower topic: Cronenberg adapts Gothic unease to modern bodies, medicine, and technology.

• Horace WalpoleNarrower topic: Walpole’s novel helped establish the mode and supplied many of its lasting conventions.

• The Yellow WallpaperNarrower topic: The nursery’s barred windows and oppressive wallpaper turn domestic confinement into Gothic horror.

• Dracula (1931 film)Narrower topic: The film translates Gothic conventions into shadowed interiors and an ancient, threatening visitor.

• Gothic romanceNarrower topic: Gothic romance draws on its atmosphere of dread, secrecy, and menace.

• Southern literatureNarrower topic: Southern Gothic adapts this broader tradition to regional histories and social hierarchies.

• The Castle of OtrantoNarrower topic: Walpole’s novel helped establish this broader mode and gave it the name “Gothic.”

• Edward ScissorhandsNarrower topic: Edward’s shadowy mansion and outsider status draw on Gothic conventions.

• The ShiningNarrower topic: The isolated hotel and its violent past adapt Gothic conventions to modern cinema.

• Ann RadcliffeNarrower topic: Radcliffe helped establish its characteristic combination of terror, landscape, and suspense.

• Christopher LeeNarrower topic: Lee’s horror roles carried Gothic conventions from literature into popular cinema.

• Lambs of GodNarrower topic: The remote island, decaying convent, and buried secrets draw on Gothic conventions.

• The UndertakerNarrower topic: The character’s early imagery drew on familiar Gothic conventions of graves, darkness, and death.

• BluebeardNarrower topic: The castle, forbidden chamber, and hidden corpses anticipate recurring Gothic settings and anxieties.

• Strange Case of Dr Jekyll and Mr HydeNarrower topic: The hidden laboratory, night streets, and monstrous transformation draw on Gothic conventions.

• Charles AddamsNarrower topic: Its imagery and atmosphere resonate with the macabre world of Addams’s cartoons.

• Count DraculaNarrower topic: Its conventions shape Dracula’s castle, secrecy, and invasion of domestic life.

• Dark RomanticismNarrower topic: Its haunted settings and threatening mysteries supplied Dark Romanticism with much of its atmosphere.

• The Legend of Sleepy HollowNarrower topic: Irving adapts Gothic atmosphere while keeping the Horseman’s reality uncertain.

• Anne RiceNarrower topic: Rice adapts gothic atmosphere to stories driven by a vampire’s inner life.

• Carolyn JonesNarrower topic: The series recast Gothic imagery as domestic comedy, with Jones at its center.

• Charles Brockden BrownNarrower topic: Brown adapted Gothic conventions to American landscapes, politics, and religious conflicts.

• Sheridan Le FanuNarrower topic: Its atmosphere and conventions shape Le Fanu’s novels and stories.

• The Vampire ChroniclesNarrower topic: Rice adapts gothic atmosphere to a modern setting and a vampire’s intimate voice.

• Carlos Ruiz ZafónNarrower topic: Its shadowed settings and buried histories shape the mood of Zafón’s novels.

• Gaston LerouxNarrower topic: The Phantom’s lair and obsessive secrecy bring Gothic conventions into modern Paris.

• Horror and terrorNarrower topic: The horror–terror distinction emerged as a way to describe contrasting effects within this mode.

• John William PolidoriNarrower topic: Polidori recast Gothic supernatural terror through a contemporary aristocrat moving in fashionable society.

• Mervyn PeakeNarrower topic: Gormenghast’s ancient architecture and atmosphere connect Peake’s fiction with Gothic traditions.

• Shirley JacksonNarrower topic: Jackson adapted Gothic conventions to modern households and ordinary communities.

• V. C. AndrewsNarrower topic: Andrews adapted gothic conventions to domestic spaces and family histories.

• William WilsonNarrower topic: Poe frames the pursuit through the Gothic tradition’s atmosphere of dread.

• Wuthering Heights (novel)Narrower topic: The novel’s violence, spectral imagery, and isolated house draw on Gothic conventions.