Linked from
The 113 pages that link to Gothic fiction, each with the reason it gives.
Horror fictionRelated: Its decaying houses and hidden crimes make dread feel embedded in a place.
French RomanticismRelated: Gothic atmosphere supplied Romantic writers with forms for exploring fear, history, and imagination.
Adventure fictionRelated: Gothic fiction supplied adventure with ominous settings and perilous secrets.
Psychological horrorRelated: Gothic fiction supplies settings and conventions that psychological horror can use to externalize inner distress.
FantasyRelated: Gothic fiction helped shape fantasy’s treatment of haunted places and supernatural encounters.
Fantasy literatureRelated: Gothic writing helped shape fantasy’s darker supernatural and atmospheric modes.
Nathaniel HawthorneRelated: Its atmosphere of hidden histories and moral unease shapes several of Hawthorne’s romances.
Margaret AtwoodRelated: Atwood adapts Gothic conventions in novels such as Alias Grace and The Blind Assassin.
Washington IrvingRelated: The Headless Horseman and the haunted atmosphere of Sleepy Hollow draw on Gothic conventions.
Charlotte BrontëRelated: Jane Eyre adapts Gothic conventions to express fear, desire, and unequal power.
Supernatural fictionRelated: Gothic fiction established influential settings and techniques for supernatural terror.
Dark fantasyRelated: Its decaying places and buried secrets often provide dark fantasy's atmosphere.
E. T. A. HoffmannRelated: Its atmosphere and motifs overlap with Hoffmann’s darker fantastic stories.
Regency eraRelated: Gothic fiction complicates the Regency’s polished image of manners and fashion.
Byronic heroRelated: Gothic conventions often supply the darkness and secrecy surrounding the hero.
English novelRelated: Gothic conventions repeatedly unsettle the realism associated with the English novel.
Speculative fictionRelated: Gothic conventions helped shape speculative writing about fear and the unknown.
The Tell-Tale HeartRelated: Poe adapted Gothic conventions into a short, concentrated psychological narrative.
Wilkie CollinsRelated: Collins adapts Gothic devices to modern households, institutions, and legal disputes.
Ambrose BierceRelated: Several Bierce stories combine psychological terror with uncanny or seemingly supernatural events.
American RomanticismRelated: American Romantics used Gothic devices to probe guilt, fear, and hidden violence.
Romance (genre)Related: Gothic fiction inherited romance’s taste for marvels and remote, extraordinary settings.
Emily BrontëRelated: The novel’s haunted atmosphere and extreme passions connect it to Gothic writing.
François-René de ChateaubriandRelated: The mood and landscape of his fiction helped transmit Gothic conventions into French Romantic writing.
Marquis de SadeRelated: Gothic settings and sensational cruelty overlap with the atmosphere of several works attributed to him.
The NightmareRelated: The painting’s theatrical horror parallels the genre’s growing fascination with terror and the uncanny.
The Rocky Horror Picture ShowRelated: The castle and its secrets draw on Gothic conventions while turning them into comedy.
Anne BrontëRelated: The Tenant of Wildfell Hall uses Gothic suspense to frame domestic abuse and escape.
Goth subcultureRelated: Goth aesthetics draw on imagery and moods long associated with Gothic literature.
Alice MunroRelated: Munro sometimes gives familiar rural settings a quiet atmosphere of threat and unease.
Annabel LeeRelated: The speaker’s nightly vigil beside Annabel Lee’s tomb gives the love story a Gothic afterlife.
Edward Bulwer-LyttonRelated: Gothic conventions inform the menace and spectacle in several of his novels.
John BanvilleRelated: Gothic elements give several novels a form for guilt and unresolved loss.
Joyce Carol OatesRelated: Gothic menace and psychological extremity recur throughout Oates’s fiction.
Karen BlixenRelated: Blixen adapts Gothic conventions through elaborate tales of identity, fate, and social power.
Mylène FarmerRelated: Gothic imagery recurs in her songs and videos, especially in their treatment of desire and death.
The HousemaidRelated: The affluent home turns into an enclosed setting where hidden dangers accumulate.
Thomas De QuinceyRelated: His opium visions and accounts of terror fed later Gothic treatments of psychological experience.
Aloysius BertrandRelated: His medieval scenes and uncanny episodes helped renew Gothic effects within French poetry.
Daphne du MaurierRelated: Her novels adapt Gothic atmosphere to modern domestic and psychological conflicts.
John Dickson CarrRelated: Carr often gives rational crime puzzles a Gothic atmosphere of dread and strangeness.
Romantic literatureRelated: Its dark landscapes and heightened feeling overlap with Romantic literary concerns.
Eleanor Alice BurfordRelated: Its atmosphere and suspense are central to many novels published as Victoria Holt.
Graveyard poetsRelated: The graveyard poets’ dark settings and fascination with death anticipated imagery later central to Gothic writing.
Gustavo Adolfo BécquerRelated: Its supernatural atmosphere offers a useful frame for Leyendas.
History of fantasyRelated: Gothic fiction made supernatural threats and haunted settings central to modern imaginative prose.
Lygia Fagundes TellesRelated: Gothic elements give domestic spaces and buried memories an atmosphere of menace.
Margaret MahyRelated: Mahy adapts Gothic unease in novels such as The Haunting.
Maria GripeRelated: Some later novels use eerie houses and secrets without abandoning psychological realism.
R. L. StineRelated: Gothic devices supply haunted places and family secrets across Stine’s stories.