Linked from

The 34 pages that link to Japanese woodblock printing, each with the reason it gives.

• Ukiyo-eNarrower topic: The process made ukiyo-e prints reproducible and enabled complex color images.

• Japanese artBroader topic: Its reproducible images made distinctive compositions and popular subjects widely available.

• PrintmakingBroader topic: It enabled richly colored, widely circulated images such as ukiyo-e.

• Woodblock printingBroader topic: Its water-based printing and coordinated color blocks form a distinctive production method.

• Nishiki-eNarrower topic: Nishiki-e expanded this established printing method by assigning different colors to separate blocks.

• Katsushika HokusaiRelated: The process enabled the repeated, colored impressions central to Hokusai’s published prints.

• Mary CassattRelated: Its flattened spaces and cropped viewpoints informed Cassatt's late prints and compositions.

• Relief printingBroader topic: Its color-print traditions developed relief printing into a sophisticated collaborative craft.

• Hishikawa MoronobuRelated: Its reproducible images helped Moronobu reach buyers beyond painting patrons.

• Bijin-gaRelated: Its repeatable, multicolor technique made bijin-ga widely reproducible.

• The Great Wave off KanagawaRelated: Its carved blocks and layered pigments produced the print’s crisp lines and color fields.

• ChromolithographyCompared with: Its multiblock color practice offers a useful comparison with lithographic color layering.

• Chinese woodblock printingCompared with: It adapted shared East Asian block-printing principles into a distinct print culture.

• Thirty-six Views of Mount FujiRelated: Multiple carved blocks made the series’ colored impressions reproducible.

• Shin-hangaNarrower topic: Shin-hanga depended on this older craft’s precision and division of labor.

• Utagawa KuniyoshiNarrower topic: Its collaborative production shaped the colors, outlines, and scale of Kuniyoshi’s prints.

• Yakusha-eRelated: Its layered printing made actor portraits reproducible and widely distributable.

• Ernst Ludwig KirchnerRelated: Its flattened space and emphatic contours helped inform the Brücke artists’ printmaking.

• KibyōshiRelated: It enabled publishers to reproduce text and images together in affordable books.

• Meisho-eRelated: Color woodblock printing made many meisho-e designs reproducible and widely available.

• SurimonoNarrower topic: Its color-printing techniques enabled surimono’s finely layered images.

• Asian artBroader topic: Ukiyo-e prints became widely collected examples of Japanese art.

• Pierre BonnardRelated: Bonnard’s early prints drew on its layered color and simplified forms.

• Benizuri-eNarrower topic: Benizuri-e used this process, with separate blocks for its colors.

• Ukiyo-zōshiRelated: Commercial printing made popular fiction, including ukiyo-zōshi, available in multiple copies.

• Utagawa schoolRelated: Its collaborative production made the school’s designs reproducible and commercially distributable.

• Aizuri-eNarrower topic: Aizuri-e uses this process to layer blue areas and line work.

• HiroshigeRelated: Separate blocks and skilled printing enabled the layered colors and repeated impressions of his designs.

• The Dream of the Fisherman's WifeRelated: The print’s linework and colors were produced through carved blocks and paper impressions.

• Toyohara ChikanobuNarrower topic: Chikanobu’s images depended on this collaborative printmaking process.

• Kawanabe KyōsaiRelated: It enabled Kyōsai’s images to circulate beyond unique paintings.

• Uki-eNarrower topic: Uki-e uses the established Japanese woodblock process to reproduce perspective compositions.

• Urushi-eNarrower topic: Urushi-e adapted this established method to create dark, lacquer-like printed surfaces.

• UtamaroNarrower topic: Publishers and specialist craftsmen reproduced Utamaro’s designs as prints.