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The 34 pages that link to Japanese woodblock printing, each with the reason it gives.

• Katsushika HokusaiRelated: The process enabled the repeated, colored impressions central to Hokusai’s published prints.

• Mary CassattRelated: Its flattened spaces and cropped viewpoints informed Cassatt's late prints and compositions.

• Hishikawa MoronobuRelated: Its reproducible images helped Moronobu reach buyers beyond painting patrons.

• Bijin-gaRelated: Its repeatable, multicolor technique made bijin-ga widely reproducible.

• The Great Wave off KanagawaRelated: Its carved blocks and layered pigments produced the print’s crisp lines and color fields.

• Thirty-six Views of Mount FujiRelated: Multiple carved blocks made the series’ colored impressions reproducible.

• Yakusha-eRelated: Its layered printing made actor portraits reproducible and widely distributable.

• Ernst Ludwig KirchnerRelated: Its flattened space and emphatic contours helped inform the Brücke artists’ printmaking.

• KibyōshiRelated: It enabled publishers to reproduce text and images together in affordable books.

• Meisho-eRelated: Color woodblock printing made many meisho-e designs reproducible and widely available.

• Pierre BonnardRelated: Bonnard’s early prints drew on its layered color and simplified forms.

• Ukiyo-zōshiRelated: Commercial printing made popular fiction, including ukiyo-zōshi, available in multiple copies.

• Utagawa schoolRelated: Its collaborative production made the school’s designs reproducible and commercially distributable.

• HiroshigeRelated: Separate blocks and skilled printing enabled the layered colors and repeated impressions of his designs.

• The Dream of the Fisherman's WifeRelated: The print’s linework and colors were produced through carved blocks and paper impressions.

• Kawanabe KyōsaiRelated: It enabled Kyōsai’s images to circulate beyond unique paintings.