Linked from

The 125 pages that link to Long take, each with the reason it gives.

• Kenji MizoguchiRelated: Mizoguchi often lets scenes unfold without cutting, preserving action across time.

• Split screenCompared with: A long take sustains one continuous view, whereas split screen can show multiple views together.

• The IrishmanRelated: The film’s slow, extended passages let pauses and routine carry dramatic weight.

• Yorgos LanthimosRelated: Sustained shots can preserve awkward pauses and keep attention on performers’ movements.

• Béla TarrRelated: Tarr lets actions and spaces unfold without cutting away to summarize them.

• Bernardo BertolucciRelated: Sustained camera movement gives many Bertolucci scenes a choreographed, immersive quality.

• Chantal AkermanRelated: Akerman lets actions unfold in real time rather than compressing them into dramatic highlights.

• Emmanuel LubezkiNarrower topic: Lubezki’s extended shots make camera movement and choreography carry work usually divided among edits.

• Sam MendesRelated: Mendes and Roger Deakins use long takes to sustain movement and spatial continuity in 1917.

• Takeshi KitanoRelated: His patient shots let silence and physical space carry dramatic weight.

• WeekendRelated: The film’s notorious traffic-jam sequence uses sustained duration to make social paralysis tangible.

• Boogie NightsNarrower topic: Extended moving shots immerse the film in its crowded parties and production spaces.

• Euphoria (television series)Related: Extended moving shots create physical continuity through crowded, volatile scenes.

• Gareth EvansRelated: Extended shots in Evans’s action sequences can make combat geography and physical effort legible.

• Gus Van SantRelated: Extended takes in films such as Elephant make duration and movement part of the drama.

• King VidorRelated: Sustained staging helped Vidor coordinate crowds and action within a single frame.

• Sergei BondarchukRelated: Extended shots let battle choreography unfold across broad spaces rather than through rapid cuts alone.

• Stanley DonenRelated: Extended takes let Donen preserve the timing and spatial clarity of demanding dance performances.

• Structural filmRelated: Extended duration foregrounds the viewer’s experience of cinematic time.

• The Cranes Are FlyingRelated: Extended moving shots immerse scenes in unfolding action and emotion.

• There Will Be BloodRelated: Extended passages let labor and performance unfold without the relief of rapid cutting.

• Touch of EvilRelated: Welles sustains complex action in real time, making camera movement and blocking carry dramatic information.

• Alejandro González IñárrituRelated: Birdman uses extended moving shots to create the impression of uninterrupted performance.

• Alfonso CuarónRelated: Cuarón uses sustained shots to keep action and emotion unfolding within shared space.

• Apichatpong WeerasethakulRelated: Extended shots give landscapes and quiet actions time to accumulate significance.

• Brian De PalmaRelated: His extended tracking shots build anticipation by delaying cuts and controlling attention.

• Carlos SauraRelated: Extended performance shots let Saura preserve the physical continuity of dance.

• Edward YangRelated: Yang’s patient scenes let relationships and social environments unfold without explanatory cuts.

• Éric RohmerRelated: Sustained scenes give conversations room to develop without cutting away from awkwardness or hesitation.

• Jacques RivetteRelated: Extended shots give Rivette’s actors room to sustain uncertain, evolving performances.

• Jafar PanahiRelated: Extended shots in films such as Taxi preserve the flow and uncertainty of encounters.

• Jim JarmuschRelated: His patient scenes let conversations and silences unfold without frequent cutting.

• L'AvventuraRelated: Extended shots let spaces and silences persist beyond the demands of plot.

• Richard LinklaterRelated: Extended conversations let Linklater preserve the rhythms and pauses of face-to-face interaction.

• A City of SadnessRelated: Extended shots let violence and grief unfold without conventional dramatic emphasis.

• Come and SeeRelated: Sustained shots keep violence and reactions unfolding without the relief of frequent cuts.

• David FincherRelated: His carefully choreographed extended shots make spatial movement and suspense legible.

• Monica VittiRelated: Antonioni’s sustained shots let Vitti’s expressions and movements carry scenes without explanatory dialogue.

• UgetsuRelated: Mizoguchi’s sustained shots let domestic life and sudden violence unfold within shared space.

• Carl Theodor DreyerRelated: Sustained shots in Ordet let gestures and silences unfold without editorial interruption.

• Jia ZhangkeRelated: Sustained shots let performances and everyday environments unfold without rapid editorial emphasis.

• Lee Chang-dongRelated: Extended shots in his films let emotional discomfort unfold without editorial interruption.

• Luis García BerlangaRelated: Berlanga’s extended moving shots let many characters compete within one unfolding scene.

• Mamoru OshiiRelated: Oshii uses sustained shots to make urban spaces and ordinary activity carry dramatic weight.

• Max OphülsRelated: Extended takes let his camera movement connect gestures, entrances, and changing social relations.

• Mikhail KalatozovRelated: Extended shots in I Am Cuba make camera movement itself a spectacle.

• Nuri Bilge CeylanRelated: Ceylan’s sustained shots let pauses, gestures, and surrounding landscapes carry dramatic weight.

• Theo AngelopoulosRelated: Angelopoulos used sustained takes to make movement, duration, and offscreen space carry dramatic weight.

• Tsai Ming-liangRelated: Tsai often lets scenes unfold without cutting away, making duration part of their meaning.

• Víctor EriceRelated: Sustained observation gives moments in The Quince Tree Sun room to unfold without explanatory cuts.